French musician Sébastien Tellier, known for his eclectic and genre-bending style, never quite achieved widespread fame after participating in the infamous Eurovision Song Contest. In fact, he felt largely overlooked by the general public despite his efforts to create something memorable at the event.
Tellier's experience with an impostor who impersonated him at parties and events was a defining moment for the artist. The stranger even landed Tellier a few gigs and meetings, but ultimately, nobody noticed the real Sébastien Tellier when he performed live.
This incident has been distilled into gold in his latest album, Kiss the Beast, which explores themes of identity and the blurred lines between reality and performance. "My name you steal it / Hat and success" - this is the essence of the song's chorus, with a chunky bassline, disco strings, and synths that crackle like fireworks.
Throughout his career, Tellier has walked the fine line between serious artistry and playful naivety. His collaboration with Air on 2004's Politics showcased his ability to merge different styles, while his Eurovision performance in 2001 was a defining moment of his unconventional style.
Tellier's fascination with identity is an ongoing theme in his work. He has explored it through songs like "Ketchup vs Genocide" and "Domesticated", which celebrated his life with his family via the prism of songs such as "Domestic Tasks".
When asked about his Eurovision performance, Tellier recalled that he initially planned to drive his golf cart straight off the stage, but ultimately arrived on stage carrying an inflatable globe full of helium. However, this stunt was deemed too dangerous by the show's producers, and it didn't receive much attention from the audience.
For Tellier, the disconnect between idea and execution is a fundamental issue. He believes that artists should strive to bridge gaps with their audience rather than simply creating something visually striking. In his latest album, he explores this theme through songs like "Mouton", where snatches of sheep baaing add to the playful atmosphere.
Tellier's latest album, Kiss the Beast, marks a new chapter in his career as an artist who is keenly aware of his age and wants to reach a bigger audience. Collaborations with artists such as Nile Rodgers and Kid Cudi demonstrate this shift towards more mainstream appeal.
While Tellier acknowledges that some people might find his concepts dull if presented in too simplistic a way, he believes it's essential to bring glamour to these ideas. His music is always infused with a sense of playfulness and curiosity, making him an artist who defies categorization.
Tellier's biggest WTF moment remains the Eurovision performance, which marked a turning point in his career as an artist who refuses to be defined by expectations or conventions. With Kiss the Beast, he aims to create music that will reach a wider audience and showcase his unique artistic vision.
Tellier's experience with an impostor who impersonated him at parties and events was a defining moment for the artist. The stranger even landed Tellier a few gigs and meetings, but ultimately, nobody noticed the real Sébastien Tellier when he performed live.
This incident has been distilled into gold in his latest album, Kiss the Beast, which explores themes of identity and the blurred lines between reality and performance. "My name you steal it / Hat and success" - this is the essence of the song's chorus, with a chunky bassline, disco strings, and synths that crackle like fireworks.
Throughout his career, Tellier has walked the fine line between serious artistry and playful naivety. His collaboration with Air on 2004's Politics showcased his ability to merge different styles, while his Eurovision performance in 2001 was a defining moment of his unconventional style.
Tellier's fascination with identity is an ongoing theme in his work. He has explored it through songs like "Ketchup vs Genocide" and "Domesticated", which celebrated his life with his family via the prism of songs such as "Domestic Tasks".
When asked about his Eurovision performance, Tellier recalled that he initially planned to drive his golf cart straight off the stage, but ultimately arrived on stage carrying an inflatable globe full of helium. However, this stunt was deemed too dangerous by the show's producers, and it didn't receive much attention from the audience.
For Tellier, the disconnect between idea and execution is a fundamental issue. He believes that artists should strive to bridge gaps with their audience rather than simply creating something visually striking. In his latest album, he explores this theme through songs like "Mouton", where snatches of sheep baaing add to the playful atmosphere.
Tellier's latest album, Kiss the Beast, marks a new chapter in his career as an artist who is keenly aware of his age and wants to reach a bigger audience. Collaborations with artists such as Nile Rodgers and Kid Cudi demonstrate this shift towards more mainstream appeal.
While Tellier acknowledges that some people might find his concepts dull if presented in too simplistic a way, he believes it's essential to bring glamour to these ideas. His music is always infused with a sense of playfulness and curiosity, making him an artist who defies categorization.
Tellier's biggest WTF moment remains the Eurovision performance, which marked a turning point in his career as an artist who refuses to be defined by expectations or conventions. With Kiss the Beast, he aims to create music that will reach a wider audience and showcase his unique artistic vision.
! I mean, have you listened to "Kiss the Beast" yet? The way he blends disco and synths with those firework-like sounds is giving me LIFE 
. And can we talk about his collabs? Nile Rodgers and Kid Cudi are killing it with him right now 
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. His music may not be for everyone, but that's what makes him so unique.
. It's like Tellier is saying, "Hey, let's have fun with these ideas and make them sparkle!" And that's exactly what he does.
like when i was in uni and someone impersonated me at a party lol i felt so invisible but i guess that's what it means to be an artist right? he's not gonna conform to the norm just to fit in with the crowd, and honestly it kinda inspires me to take risks in my own creative endeavors 
, Sébastien Tellier's Eurovision experience was kinda a blessing in disguise... think about it 
, if nobody noticed him when he performed live, maybe his music wouldn't have been as overshadowed by the flashy stage presence of some other artists 
. Plus, having an impostor impersonate him at parties and events? that's just wild 
, I mean who hasn't had a crazy story to tell from their past? Tellier's not gonna be defined by his Eurovision flop (imo it was actually pretty cool 
), he's still pushing boundaries with his music and collaborations... let's give the man some props 
. And with collaborations like Nile Rodgers and Kid Cudi, I'm guessing he wants to reach a wider audience and show them that there's more to him than just one weird song 
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But what I love about Tellier is that he's not afraid to own it and explore it through his music 
. His album Kiss the Beast is like a reflection of us all trying to navigate our own identities 
. It's like, we're all just trying to figure out who we are and how to express ourselves authentically 
but at the same time, it's pretty cool that he was able to turn that awkwardness into art, you know? his music is always so experimental and pushes boundaries in the best way possible, even if some people might not get it right away. i mean, who needs mainstream appeal when you can have a loyal fanbase of weirdos like me 
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He's still trying to figure out how to make himself noticed, but at least he's having fun while doing it. The whole 'impostor' thing is just a bonus - I mean, who wouldn't want to be replaced by a fake version of themselves? 
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. He wants his music to be memorable and leave a mark, which is why I think Kiss the Beast will resonate with fans. Plus, who doesn't love some good disco strings and synths? 
. And honestly, his fixation on identity is super relatable if you've ever felt like nobody understands what's going on in your head 
. I mean, Kid Cudi? Really? That's like taking a detour from existential crisis to trying to fit in with the cool kids 
. Guess what? We'll just have to wait and see if he manages to distract us from his perceived flaws with his next "innovative" release 
. It's like, yeah dude, you totally brought the fire, but nobody noticed 
... and Tellier's music just captures that feeling so perfectly 
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also, that inflatable globe stunt was SO 2001 
But I guess his latest album, Kiss the Beast, sounds kinda cool with that chunky bassline and disco strings 
. He seems like an artist who values creativity over popularity, which is admirable, but also kinda frustrating 
. I mean, why can't he just make music that people want to listen to? 
He's always been this quirky artist who pushes boundaries, and I love how his latest work explores themes of identity and reality vs performance. I mean, can you even imagine being impersonated at parties and still not getting noticed?