Andrew Miller's Formative Reading Experiences Revealed in Unlikely Ways.
The renowned author has shared his earliest reading memories with us, offering a glimpse into how certain books have shaped his life. One particular passage from DH Lawrence's 'The Rainbow' stands out – the author claims that it was this book which propelled him onto his feet as a 17-year-old reader, fueling an unrelenting passion to create something similar.
Miller's reading habits took a dramatic turn with Albert Camus's 'The Myth of Sisyphus', which introduced him to the concept of 'amor fati' or "the love of one's fate." As he delved deeper into this philosophical work, Miller realized that it was precisely these themes of absurdity and futility that would drive his writing.
The book that truly ignited a desire in Miller to write was none other than Rosemary Sutcliff's 'The Eagle of the Ninth', a historical fiction novel set in Roman Britain. The setting of this classic work resonated deeply with Miller, an avid enthusiast of Ancient Roman history. He vividly recalls reading it aloud with his father on Sunday mornings.
Miller's appreciation for literature has not been confined to the realm of serious writers alone; he also confesses to having a soft spot for more popular genres like thrillers by authors such as Alistair MacLean and Desmond Bagley. However, these beloved titles have become too familiar for him to read again without struggling back into his old reading habits.
In contrast, Miller has recently discovered the works of 18th-century German poet Christiane Klemperer through Penelope Fitzgerald's 'The Blue Flower', which he describes as a "thrillingly strange" and humorous masterpiece. The complexity of Fitzgerald's style resonates deeply with Miller, offering an entirely new dimension to his reading experience.
Miller has also found himself revisiting the works of Elizabeth Bishop and Robert Lowell, whose writing continues to inspire him with its quiet authority and poise. As he delves into their poetry, he is drawn to the simplicity yet depth they bring to their craft – an elegance that remains unparalleled in modern literature.
In a remarkable display of literary eclecticism, Miller's reading tastes span multiple genres, authors, and eras. Yet, it's his affinity for lesser-known writers like Fitzgerald and Bishop that provides him with a deeper connection to the written word – one that echoes through his own writing style and creative process.
The renowned author has shared his earliest reading memories with us, offering a glimpse into how certain books have shaped his life. One particular passage from DH Lawrence's 'The Rainbow' stands out – the author claims that it was this book which propelled him onto his feet as a 17-year-old reader, fueling an unrelenting passion to create something similar.
Miller's reading habits took a dramatic turn with Albert Camus's 'The Myth of Sisyphus', which introduced him to the concept of 'amor fati' or "the love of one's fate." As he delved deeper into this philosophical work, Miller realized that it was precisely these themes of absurdity and futility that would drive his writing.
The book that truly ignited a desire in Miller to write was none other than Rosemary Sutcliff's 'The Eagle of the Ninth', a historical fiction novel set in Roman Britain. The setting of this classic work resonated deeply with Miller, an avid enthusiast of Ancient Roman history. He vividly recalls reading it aloud with his father on Sunday mornings.
Miller's appreciation for literature has not been confined to the realm of serious writers alone; he also confesses to having a soft spot for more popular genres like thrillers by authors such as Alistair MacLean and Desmond Bagley. However, these beloved titles have become too familiar for him to read again without struggling back into his old reading habits.
In contrast, Miller has recently discovered the works of 18th-century German poet Christiane Klemperer through Penelope Fitzgerald's 'The Blue Flower', which he describes as a "thrillingly strange" and humorous masterpiece. The complexity of Fitzgerald's style resonates deeply with Miller, offering an entirely new dimension to his reading experience.
Miller has also found himself revisiting the works of Elizabeth Bishop and Robert Lowell, whose writing continues to inspire him with its quiet authority and poise. As he delves into their poetry, he is drawn to the simplicity yet depth they bring to their craft – an elegance that remains unparalleled in modern literature.
In a remarkable display of literary eclecticism, Miller's reading tastes span multiple genres, authors, and eras. Yet, it's his affinity for lesser-known writers like Fitzgerald and Bishop that provides him with a deeper connection to the written word – one that echoes through his own writing style and creative process.