British Blues Photographer Brian Smith Leaves Lasting Legacy
At the age of 82, renowned photographer Brian Smith has left an indelible mark on the world of British blues. His extensive collection of photographs, spanning over six decades, has not only documented some of America's most influential musicians but also played a pivotal role in shaping the genre.
Born and raised in Manchester, Smith's fascination with music began at a young age, when he witnessed Lonnie Donegan's skiffle group perform at the Chris Barber gig in 1954. This exposure would later become a defining moment in his life, as he became a huge fan of the blues and devoted himself to capturing its essence through his lens.
Throughout the 1960s, Smith traveled extensively, photographing icons like Howlin' Wolf, T Bone Walker, Sonny Boy Williamson, Chuck Berry, and Screamin' Jay Hawkins. His images appeared on album sleeves, magazine covers, and later on CDs and box sets, cementing his status as one of the most respected photographers in the industry.
As an unofficial in-house photographer at Manchester's Twisted Wheel club, Smith cultivated relationships with promoters and club owners, securing artist interviews and backstage passes that saved him a fortune in tickets. This astute networking strategy allowed him to chronicle some of the most pivotal moments in British blues history.
The late 1970s and 1980s saw a resurgence of interest in American blues and R&B, thanks in part to Smith's extensive archive. His photographs were snapped up by record companies, including MCA, Ace Records, and JSP Records, who utilized them for reissues and releases.
In recent years, Smith's contributions to the world of blues have been recognized through his book, "Boom Boom, Boom, Boom β American Rhythm & Blues In England 1962β1966," which features over 176 pages of photographs and stories. This publication is a testament to Smith's dedication to preserving the legacy of British blues.
Smith's passing leaves behind a legacy that will continue to inspire and educate fans of the genre. His photographs, now housed in esteemed institutions like Blues & Rhythm magazine, where he worked as a writer and photographer, remain an essential part of music history.
At the age of 82, renowned photographer Brian Smith has left an indelible mark on the world of British blues. His extensive collection of photographs, spanning over six decades, has not only documented some of America's most influential musicians but also played a pivotal role in shaping the genre.
Born and raised in Manchester, Smith's fascination with music began at a young age, when he witnessed Lonnie Donegan's skiffle group perform at the Chris Barber gig in 1954. This exposure would later become a defining moment in his life, as he became a huge fan of the blues and devoted himself to capturing its essence through his lens.
Throughout the 1960s, Smith traveled extensively, photographing icons like Howlin' Wolf, T Bone Walker, Sonny Boy Williamson, Chuck Berry, and Screamin' Jay Hawkins. His images appeared on album sleeves, magazine covers, and later on CDs and box sets, cementing his status as one of the most respected photographers in the industry.
As an unofficial in-house photographer at Manchester's Twisted Wheel club, Smith cultivated relationships with promoters and club owners, securing artist interviews and backstage passes that saved him a fortune in tickets. This astute networking strategy allowed him to chronicle some of the most pivotal moments in British blues history.
The late 1970s and 1980s saw a resurgence of interest in American blues and R&B, thanks in part to Smith's extensive archive. His photographs were snapped up by record companies, including MCA, Ace Records, and JSP Records, who utilized them for reissues and releases.
In recent years, Smith's contributions to the world of blues have been recognized through his book, "Boom Boom, Boom, Boom β American Rhythm & Blues In England 1962β1966," which features over 176 pages of photographs and stories. This publication is a testament to Smith's dedication to preserving the legacy of British blues.
Smith's passing leaves behind a legacy that will continue to inspire and educate fans of the genre. His photographs, now housed in esteemed institutions like Blues & Rhythm magazine, where he worked as a writer and photographer, remain an essential part of music history.