Deborah Masters, Brooklyn's Unyielding Environmental Champion
When news broke that Deborah Elder Masters, a pioneering environmental advocate for North Brooklyn, had passed away at 74 following a prolonged illness, it was met with an outpouring of tributes from those whose lives she touched. The diminutive yet mighty sculptor and artist had spent decades fighting for the rights of marginalized communities to breathe clean air, live in safe neighborhoods, and preserve their cultural heritage.
Born Dionysia Kokkinos, Masters' relentless advocacy began in the 1990s when she was part of a burgeoning environmental movement that sought to hold powerful interests accountable. With unwavering determination, she mobilized local residents, community groups, and politicians alike to confront an onslaught of environmental hazards – from toxic oil spills to lead contamination – that threatened the health and well-being of poor communities.
One of Masters' most significant victories was her role in halting plans for a garbage incinerator at the Brooklyn Navy Yard. Her tireless organizing efforts helped forge a local activist coalition, paving the way for future environmental battles.
Masters' work extended far beyond her activism. As an artist, she approached sculptural projects with the same passion and commitment that defined her advocacy. Two of her large-scale pieces have become iconic parts of New York's cultural fabric: a 350-foot painted relief series at JFK Terminal Four, depicting everyday scenes from around Brooklyn; and "Coney Island Reliefs" – a vibrant, terracotta-tinted portrait of King Neptune and casual beach scenes that adorn the side of the Ocean Parkway viaduct in South Brooklyn.
The impact of Masters' legacy extends beyond her own lifetime. Her activism inspired a generation of community organizers, activists, and artists who continue to carry on her work. The dedication of her husband, Geoff Wilcox, has ensured that her art career is celebrated with an ongoing retrospective exhibition at his studio in Chatham, New York.
For those who knew Masters personally, her unwavering spirit remains a testament to the power of grassroots activism and community-driven change. As Kim Couchot, her longtime assistant, once quipped: "That's kind of been the legacy of Deb: Bringing the artist community together."
When news broke that Deborah Elder Masters, a pioneering environmental advocate for North Brooklyn, had passed away at 74 following a prolonged illness, it was met with an outpouring of tributes from those whose lives she touched. The diminutive yet mighty sculptor and artist had spent decades fighting for the rights of marginalized communities to breathe clean air, live in safe neighborhoods, and preserve their cultural heritage.
Born Dionysia Kokkinos, Masters' relentless advocacy began in the 1990s when she was part of a burgeoning environmental movement that sought to hold powerful interests accountable. With unwavering determination, she mobilized local residents, community groups, and politicians alike to confront an onslaught of environmental hazards – from toxic oil spills to lead contamination – that threatened the health and well-being of poor communities.
One of Masters' most significant victories was her role in halting plans for a garbage incinerator at the Brooklyn Navy Yard. Her tireless organizing efforts helped forge a local activist coalition, paving the way for future environmental battles.
Masters' work extended far beyond her activism. As an artist, she approached sculptural projects with the same passion and commitment that defined her advocacy. Two of her large-scale pieces have become iconic parts of New York's cultural fabric: a 350-foot painted relief series at JFK Terminal Four, depicting everyday scenes from around Brooklyn; and "Coney Island Reliefs" – a vibrant, terracotta-tinted portrait of King Neptune and casual beach scenes that adorn the side of the Ocean Parkway viaduct in South Brooklyn.
The impact of Masters' legacy extends beyond her own lifetime. Her activism inspired a generation of community organizers, activists, and artists who continue to carry on her work. The dedication of her husband, Geoff Wilcox, has ensured that her art career is celebrated with an ongoing retrospective exhibition at his studio in Chatham, New York.
For those who knew Masters personally, her unwavering spirit remains a testament to the power of grassroots activism and community-driven change. As Kim Couchot, her longtime assistant, once quipped: "That's kind of been the legacy of Deb: Bringing the artist community together."