In a space where time seems to stand still, the latest exhibition from local artists Mat Larimer and Sandi Bache promises an immersive experience that defies easy explanation. "Untitled, Unknown" is more than just a show – it's an invitation to ponder the very nature of creation itself.
The story behind this ambitious project began by chance in August when Mat Larimer started placing small blue dots on postal stickers around Hamtramck. His friend Sandi Bache stumbled upon one of these dots and took a photo, which sparked a conversation about exploring the possibilities of collaboration. The result is over 200 collaborative pieces that fill the gallery space with an air of quiet contemplation.
Beneath its seemingly chaotic surface, "Untitled, Unknown" emerges as a meditation on transformation – a process both shared and unknowable. Larimer likens this experience to purgatory: leaving behind the bustle of everyday life to enter a realm where nothing is certain. In contrast to this sense of uncertainty lies a stunning display of order in chaos.
Through their artwork, which spans pastels, cyanotype, acrylic paint, pencil, graphite, and crayons, Larimer and Bache blur traditional boundaries between artist, viewer, and medium. Their use of materials and techniques creates an environment where viewers are free to interpret the work for themselves. The title "Untitled, Unknown" takes on a new significance as it leaves room for each individual to form their own understanding.
One can sense that Larimer's affinity with ambient music reflects his approach to art – abstract yet accessible. For Bache, it means allowing the viewer to engage with the piece without prescribing any meaning, thus preserving its inherent ambiguity. As they navigate this complex and captivating exhibition, one can't help but be drawn into a world where nothing is as it seems.
"Untitled, Unknown" defies visual sameness at times, its power residing in those moments of unexpected connection between pieces – like a divergent melody breaking through an otherwise serene atmosphere. Amidst the ever-changing tapestry of colors and textures, we find ourselves anchored by small deviations that become beacons for our return to the artwork.
The artists' shared vision serves as a testament to what can happen when creatives collaborate across disciplines. For Larimer and Bache, this experience has resulted in something both beautiful and uncertain – an enigmatic world where the viewer becomes not just an observer but an active participant.
As we step into the gallery space, surrounded by "Untitled, Unknown," it's hard not to feel that sense of purgatory, a liminal state between worlds. Yet, this is precisely what makes their show so compelling – a testament to the transformative power of art and collaboration in creating something that defies easy explanation or categorization.
"Untitled, Unknown" is open for viewing from February 7 through March 21.
The story behind this ambitious project began by chance in August when Mat Larimer started placing small blue dots on postal stickers around Hamtramck. His friend Sandi Bache stumbled upon one of these dots and took a photo, which sparked a conversation about exploring the possibilities of collaboration. The result is over 200 collaborative pieces that fill the gallery space with an air of quiet contemplation.
Beneath its seemingly chaotic surface, "Untitled, Unknown" emerges as a meditation on transformation – a process both shared and unknowable. Larimer likens this experience to purgatory: leaving behind the bustle of everyday life to enter a realm where nothing is certain. In contrast to this sense of uncertainty lies a stunning display of order in chaos.
Through their artwork, which spans pastels, cyanotype, acrylic paint, pencil, graphite, and crayons, Larimer and Bache blur traditional boundaries between artist, viewer, and medium. Their use of materials and techniques creates an environment where viewers are free to interpret the work for themselves. The title "Untitled, Unknown" takes on a new significance as it leaves room for each individual to form their own understanding.
One can sense that Larimer's affinity with ambient music reflects his approach to art – abstract yet accessible. For Bache, it means allowing the viewer to engage with the piece without prescribing any meaning, thus preserving its inherent ambiguity. As they navigate this complex and captivating exhibition, one can't help but be drawn into a world where nothing is as it seems.
"Untitled, Unknown" defies visual sameness at times, its power residing in those moments of unexpected connection between pieces – like a divergent melody breaking through an otherwise serene atmosphere. Amidst the ever-changing tapestry of colors and textures, we find ourselves anchored by small deviations that become beacons for our return to the artwork.
The artists' shared vision serves as a testament to what can happen when creatives collaborate across disciplines. For Larimer and Bache, this experience has resulted in something both beautiful and uncertain – an enigmatic world where the viewer becomes not just an observer but an active participant.
As we step into the gallery space, surrounded by "Untitled, Unknown," it's hard not to feel that sense of purgatory, a liminal state between worlds. Yet, this is precisely what makes their show so compelling – a testament to the transformative power of art and collaboration in creating something that defies easy explanation or categorization.
"Untitled, Unknown" is open for viewing from February 7 through March 21.