This is an article from The Guardian about two political cartoonists, Martin Rowson and Ella Baron, who were challenged to draw a cartoon on the same subject (Trump) on the same day. The article features their individual perspectives on their creative process, the challenges of working as a cartoonist, and their approaches to drawing Trump.
The article begins with an introduction to Rowson, who describes himself as "old school" and prefers traditional mediums like pencils, pens, and brushes. He explains that he works quickly, often completing his cartoons in six hours or less, and that he values the process of creating a messiness and chaos in his work. Rowson also discusses how he approaches drawing Trump, using symbols and idioms to convey the point he wants to make.
The article then turns to Ella Baron, who describes herself as a digital artist and notes that she uses a Wacom Cintiq tablet and stylus to create her cartoons. She explains that she values the precision and control of digital art, but also notes that it can be limiting at times. Baron discusses how she approaches drawing Trump, using bold lines and confident gestures to convey his power dynamics.
Throughout the article, the two cartoonists discuss their different approaches to their craft, and how they learned from each other's styles. Rowson expresses admiration for Baron's work, but also notes that he feels a need to prove himself as a woman in a male-dominated field. Baron, on the other hand, is more confident in her abilities and notes that she has been trying to bring more femininity into her cartoons.
The article concludes with an introduction to Rowson's cartoon, which depicts Trump as an orange-skinned figure with a pale bald patch on his head. The cartoon is accompanied by a caption from Baron, who describes how Rowson's use of color and texture creates a sense of depth and dimensionality in the image.
Overall, this article provides a unique insight into the creative process of two political cartoonists, and highlights the challenges and joys of working in this field.
The article begins with an introduction to Rowson, who describes himself as "old school" and prefers traditional mediums like pencils, pens, and brushes. He explains that he works quickly, often completing his cartoons in six hours or less, and that he values the process of creating a messiness and chaos in his work. Rowson also discusses how he approaches drawing Trump, using symbols and idioms to convey the point he wants to make.
The article then turns to Ella Baron, who describes herself as a digital artist and notes that she uses a Wacom Cintiq tablet and stylus to create her cartoons. She explains that she values the precision and control of digital art, but also notes that it can be limiting at times. Baron discusses how she approaches drawing Trump, using bold lines and confident gestures to convey his power dynamics.
Throughout the article, the two cartoonists discuss their different approaches to their craft, and how they learned from each other's styles. Rowson expresses admiration for Baron's work, but also notes that he feels a need to prove himself as a woman in a male-dominated field. Baron, on the other hand, is more confident in her abilities and notes that she has been trying to bring more femininity into her cartoons.
The article concludes with an introduction to Rowson's cartoon, which depicts Trump as an orange-skinned figure with a pale bald patch on his head. The cartoon is accompanied by a caption from Baron, who describes how Rowson's use of color and texture creates a sense of depth and dimensionality in the image.
Overall, this article provides a unique insight into the creative process of two political cartoonists, and highlights the challenges and joys of working in this field.
! I'm more of a digital art kinda gal myself, but Rowson's old school vibes are so nostalgic 
. What I find really inspiring is how Baron brings femininity into her work, it's about time we see more women in the cartoon game 
. And Rowson's ability to mess up his drawing and make it look intentional is like, the ultimate skill 
. The way they learn from each other's styles is also so cool, I wish I could be as confident as Baron 
. Can't wait to see what kind of masterpieces these two come up with next! 
. For me, it's all about finding that balance between precision & chaos - I mean, who needs perfection when you can have a little messy-ness in your art? 
But seriously, it's so inspiring to see how both Rowson & Baron bring their unique perspectives to the table. Ella's digital art is so stunning, and Martin's traditional mediums are like a breath of fresh air. I also love how they're not afraid to learn from each other & push each other's boundaries. As someone who's all about living a mindful life, I think it's amazing that they're using their art as a form of self-expression & activism 
. Can't wait to check out Martin's cartoon - hope it brings some much-needed shade to Trump! 
I love seeing how different creators approach the same subject matter. As a parent, I can relate to how my kids have their own unique ways of expressing themselves, and it's awesome to see that same energy in art.
. I mean, where's the messiness? The chaos? That's what makes cartoons interesting, in my opinion. Plus, with Rowson's old-school approach, you can really see the human touch, ya know? 
His use of pencils and pens is like a breath of fresh air compared to Baron's... well, it just feels so sterile 
. And don't even get me started on the whole "femininity" thing – I'm all for diversity, but let's not make this about labels or anything 
. Their differing approaches got me thinking about how we approach truth itself - do we strive for nuance and complexity or bold statements and simplicity? How much are we willing to compromise our vision for the sake of reaching others? Can art really bridge the gaps between us, or is it just a reflection of our own biases 
... yeah, that's def something we should talk more about. Anyway, I'm just gonna go read some other threads while these two artists keep it real 
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. And Ella's efforts to bring more femininity into her cartoons? Absolutely needed 
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! But you know what really stood out to me? How Ella Baron is all about embracing her femininity in her art 
it's wild to see how they approach the same subject differently 
Ella Baron is more digital 
Rowson's cartoon is SO cool 
. Rowson's all about that messy, chaotic vibe 
, but at the same time, you can tell there's some underlying tension with Barons comments about proving herself in a male-dominated field 
. Can't wait to see what they come up with next 
overall, it's great to see the creative process behind these amazing cartoons 
! I love how they both bring their own strengths to the table, even if Rowson sometimes feels like he needs to prove himself (but let's be real, his cartoons are already fire 
, it's so cool to see how these two artists approached drawing Trump on the same day. I mean, Ella Baron's use of bold lines and confident gestures is like a breath of fresh air, you know? And Martin Rowson's traditional mediums are just so raw and emotional, I love how he gets all messy and chaotic with his work 
- there's something liberating about not having to worry about making it perfect on the first try. But at the same time, I can totally relate to Ella's need for precision - like when I'm trying to meet a deadline and every second counts 
! It's great that they're pushing each other to grow and learn from each other's strengths. And you know what? I think we could all learn from their approach to tackling sensitive subjects in a creative way