Drama Unfolds in a Malmaison Hotel: "I Do" Review
A wedding is often seen as the culmination of all that's been built up to it – the anticipation, the excitement, and the nerves. But what about the moments leading up to it? The tensions, the tantrums, the doubts? These are the questions answered in Dante or Die's poignant site-specific show, "I Do", now reprised at various Malmaison hotels, including this London venue.
The audience is divided into groups and shuttled between six rooms, each representing a different moment before the ceremony begins. The setup seems like an exercise in voyeurism at first, but as it progresses, it becomes increasingly moving and intimate, revealing anguish and insecurity that turns what would be a typical wedding day into a world of its own.
Each room brings a new scenario – a heart-wrenching encounter between Georgie's mother and her unfaithful ex-husband; a same-sex passion between the best man and another character – all expertly woven together by writer Chloë Moss. The depth of emotion in these moments is remarkable, particularly in scenes like the one with Georgie's grandparents, where a simple phrase becomes a heart-wrenching expression of love.
The set design by Jenny Hayton perfectly captures both the corporate kitsch and personal detritus of this hotel-wedding world, from rose petals to TCP in the bathroom. The performances are searing, with the direction by Daphna Attias allowing for moments of stillness where emotions evolve between characters, touched upon through looks, touches, and tiny shifts in expression.
While there's a somewhat clichéd element to the show's returning cleaner character, it brings a surreal charm that adds to the overall experience. By the end, you'll care deeply about almost every character – it's big, heart-wrenching, ridiculous, and wonderful just like any wedding day.
What sets "I Do" apart is its willingness to explore the complexities of love in all its forms. It's a nuanced portrayal that turns what could be a shallow exploration of wedding drama into something much deeper. As you leave the hotel, you'll find yourself pondering the intricacies of human relationships and the moments that make us who we are – just as with any truly great wedding day.
A wedding is often seen as the culmination of all that's been built up to it – the anticipation, the excitement, and the nerves. But what about the moments leading up to it? The tensions, the tantrums, the doubts? These are the questions answered in Dante or Die's poignant site-specific show, "I Do", now reprised at various Malmaison hotels, including this London venue.
The audience is divided into groups and shuttled between six rooms, each representing a different moment before the ceremony begins. The setup seems like an exercise in voyeurism at first, but as it progresses, it becomes increasingly moving and intimate, revealing anguish and insecurity that turns what would be a typical wedding day into a world of its own.
Each room brings a new scenario – a heart-wrenching encounter between Georgie's mother and her unfaithful ex-husband; a same-sex passion between the best man and another character – all expertly woven together by writer Chloë Moss. The depth of emotion in these moments is remarkable, particularly in scenes like the one with Georgie's grandparents, where a simple phrase becomes a heart-wrenching expression of love.
The set design by Jenny Hayton perfectly captures both the corporate kitsch and personal detritus of this hotel-wedding world, from rose petals to TCP in the bathroom. The performances are searing, with the direction by Daphna Attias allowing for moments of stillness where emotions evolve between characters, touched upon through looks, touches, and tiny shifts in expression.
While there's a somewhat clichéd element to the show's returning cleaner character, it brings a surreal charm that adds to the overall experience. By the end, you'll care deeply about almost every character – it's big, heart-wrenching, ridiculous, and wonderful just like any wedding day.
What sets "I Do" apart is its willingness to explore the complexities of love in all its forms. It's a nuanced portrayal that turns what could be a shallow exploration of wedding drama into something much deeper. As you leave the hotel, you'll find yourself pondering the intricacies of human relationships and the moments that make us who we are – just as with any truly great wedding day.