Daniel Reuss brings a level of vitality and nuance to Igor Stravinsky's late works, deftly navigating the complexities of serialism to unlock the composer's profound musical thought. A self-effacing purity shines through in these intellectually probing pieces, which, while sometimes austere, possess an undeniable beauty that demands greater recognition.
Reuss's precise yet vital interpretations for the Noord Nederlands Orkest are matched by Cappella Amsterdam's captivating vocals, imbuing Stravinsky's music with a sense of narrative and emotional depth. The set, spanning four main works, showcases Stravinsky's mastery of different styles, from the extended, impassioned setting of In Memoriam Dylan Thomas to the spiny, multifaceted Threni.
A particular highlight is the haunting Introitus, with its sparse yet evocative textures, and the bristling Requiem Canticles, which exude a sense of urgency and drama. The inclusion of shorter pieces, such as an unpretentious Lord's Prayer and the cerebral Elegy for JFK, adds variety to the set without sacrificing cohesion.
State-of-the-art sonics serve the music well in this new recording, making it a compelling addition to a relatively underserved field. As Stravinsky's reputation continues to grow, Reuss's insightful interpretation and Cappella Amsterdam's captivating vocals ensure that these spellbinding works remain at the forefront of classical music.
Reuss's precise yet vital interpretations for the Noord Nederlands Orkest are matched by Cappella Amsterdam's captivating vocals, imbuing Stravinsky's music with a sense of narrative and emotional depth. The set, spanning four main works, showcases Stravinsky's mastery of different styles, from the extended, impassioned setting of In Memoriam Dylan Thomas to the spiny, multifaceted Threni.
A particular highlight is the haunting Introitus, with its sparse yet evocative textures, and the bristling Requiem Canticles, which exude a sense of urgency and drama. The inclusion of shorter pieces, such as an unpretentious Lord's Prayer and the cerebral Elegy for JFK, adds variety to the set without sacrificing cohesion.
State-of-the-art sonics serve the music well in this new recording, making it a compelling addition to a relatively underserved field. As Stravinsky's reputation continues to grow, Reuss's insightful interpretation and Cappella Amsterdam's captivating vocals ensure that these spellbinding works remain at the forefront of classical music.
and I’m blown away by how well it all comes together! The way Reuss breaks down those complex serialist pieces is like magic, makes me want to listen again. And that voice from Cappella Amsterdam, it’s like they’re singing directly to your soul 
. I mean, I know some classical music can be super dry but this stuff is fire 
. It’s like Reuss and the orchestra are painting a picture with sound and it’s just so beautiful 
. I think more people need to listen to this, trust me you won’t regret it! 
! It's amazing how some people can bring out the best in Stravinsky's complex stuff, you know? The way they balance all those different textures and emotions is just masterful 
. And I love that they included those shorter pieces - it's like they're giving you a little taste of everything 
. Now, if they could just get some more decent seats for the next show... been waiting months to see this orchestra perform live! 
anyone else think his stuff is super overrated? i mean don't get me wrong, Reuss and Cappella Amsterdam do a solid job with In Memoriam Dylan Thomas, but Introitus kinda gives me the heebie jeebies 
still, can't deny the Requiem Canticles give me chills every time 
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It's like they're telling a story through sound. The only thing that bums me out is that this field of classical music isn't getting the recognition it deserves 
. But hey, Reuss and Cappella Amsterdam are doing their part to keep Stravinsky's works alive, so that's something to be excited about 
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. And can we talk about how underrated Stravinsky's music is? Like, he's a total genius and I'm so here for Reuss bringing his own unique energy to the table 
. And the production quality? On point 
, but sometimes I feel like he's trying a bit too hard to explain Stravinsky's genius. And can we talk about how many different styles this guy was working in?! Like, one minute it's all dark and moody, next it's like, "oh wait, isn't that just a prayer?" 
daniel reuss is like a conductor wizard 
he makes serialism sound so pretty and emotive 
and those cappella amsterdam vocals are giving me LIFE 
the way they bring out the narrative and emotional depth in stravinsky's music is pure magic 
and i love how reuss balances austere parts with beauty 
state-of-the-art sonics don't hurt either 
this set needs more recognition ASAP 
. What I love about this recoding is how well-rounded it feels, from the Introitus to the Requiem Canticles... it's like a journey through Stravinsky's mind 
. Overall, I think this recoding deserves way more attention - it's a game-changer for classical music fans 
I gotta say, this music is like nothing I've ever heard before 
. The way the vocals blend with the instruments is magic 
and I'm so stoked to see more of Stravinsky's stuff out there! 
, his late works are like totally underrated imo... dan reuss is a genius for figuring out how to make them sound fresh again 
. They're like a bunch of drama queens with their "narrative and emotional depth" nonsense 
! It's amazing how they add that narrative and depth to Stravinsky's pieces.
. And those shorter pieces? So underrated! They add a nice touch of humanity to the album. The sonics are on point too, making everything sound super polished and professional 
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. Reuss and Cappella Amsterdam are doing some amazing work here, and I'm so excited to see where this new recording takes the classical music scene 
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I'm loving this new recording by Daniel Reuss & Cappella Amsterdam! The way they bring out the complexity and nuance in Stravinsky's late works is truly mesmerizing