Kenny Rivero's latest exhibition, "Ash on Everything," is a collection of paintings that explore the human condition and our relationship with the world around us. The works are characterized by their vivid colors, abstract forms, and sense of urgency.
The show begins with a large painting of a sidewalk and a woman on fire, setting the tone for the rest of the exhibition. From there, the viewer is taken through a series of paintings that depict figures suspended between collapse and renewal, destruction and possibility.
Throughout the exhibition, Rivero employs symbolism drawn from Afro-Caribbean cosmologies and divinatory practices. The coconut emerges as a central anchor, representing transformation, knowledge, and renewal.
One notable aspect of the show is its use of installation art. A corridor-like gallery installation frames a large painting of a green coconut-shaped form at the far end, surrounded by small works on either side. This creates a sense of progression and flow, drawing the viewer through the exhibition.
Rivero's work offers a unique perspective on the human condition, one that is both deeply personal and universally relatable. His use of symbolism and metaphor adds depth and complexity to his paintings, inviting the viewer to engage with them on multiple levels.
Ultimately, "Ash on Everything" is an exhibition that challenges our assumptions about the world around us and encourages us to think differently about our place within it. It is a powerful exploration of the human condition, one that is both thought-provoking and deeply moving.
The exhibition is notable for being Rivero's first solo show in New York in over three years and his fifth with the gallery. This marks an important milestone in his career, as he continues to push the boundaries of what is possible with his art.
Overall, "Ash on Everything" is a remarkable exhibition that showcases Kenny Rivero's unique vision and talent. It is a must-see for anyone interested in contemporary art and the human condition.
The show begins with a large painting of a sidewalk and a woman on fire, setting the tone for the rest of the exhibition. From there, the viewer is taken through a series of paintings that depict figures suspended between collapse and renewal, destruction and possibility.
Throughout the exhibition, Rivero employs symbolism drawn from Afro-Caribbean cosmologies and divinatory practices. The coconut emerges as a central anchor, representing transformation, knowledge, and renewal.
One notable aspect of the show is its use of installation art. A corridor-like gallery installation frames a large painting of a green coconut-shaped form at the far end, surrounded by small works on either side. This creates a sense of progression and flow, drawing the viewer through the exhibition.
Rivero's work offers a unique perspective on the human condition, one that is both deeply personal and universally relatable. His use of symbolism and metaphor adds depth and complexity to his paintings, inviting the viewer to engage with them on multiple levels.
Ultimately, "Ash on Everything" is an exhibition that challenges our assumptions about the world around us and encourages us to think differently about our place within it. It is a powerful exploration of the human condition, one that is both thought-provoking and deeply moving.
The exhibition is notable for being Rivero's first solo show in New York in over three years and his fifth with the gallery. This marks an important milestone in his career, as he continues to push the boundaries of what is possible with his art.
Overall, "Ash on Everything" is a remarkable exhibition that showcases Kenny Rivero's unique vision and talent. It is a must-see for anyone interested in contemporary art and the human condition.
. The way Rivero used symbolism and metaphor to explore our relationship with the world was so thought-provoking 
. I especially appreciated how he used installation art to create a sense of flow and progression through the exhibit. It felt like you were on a journey, exploring different themes and ideas along the way 
. What really stood out to me, though, was the power of his art to make you feel seen and understood - it's an amazing feeling when your emotions are validated in a work of art 
. Overall, I think Rivero is a super talented artist who's pushing the boundaries of what's possible with their art 
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And can we talk about that coconut installation? 
And what's up with all these installations? It feels like he's trying to distract us from the fact that it's just art... I don't know, maybe I'm just too cynical for this sort of thing. Anyway, I guess if you're into that stuff, "Ash on Everything" might be worth checking out. But personally, I'd rather spend my time with a good book or watching some documentaries 
... The way he uses colors and forms is so vivid and immersive, it's like you're right there with him in his emotions. But then again, sometimes I feel like the symbolism is a bit too on-the-nose 
... Like, come on, a coconut really represents transformation? That's kinda cheesy 
... On the other hand, maybe that's what makes it so genius - he's using something familiar to say something new and profound. I don't know, man, this show has got me all sorts of conflicted