"House Party: A Blast from the Past"
The iconic hip-hop film House Party, released in 1990, has become a staple of 90s nostalgia. The movie's writers and directors, Reginald Hudlin and his brother Chris Rock, sat down with us to reminisce about their journey and the making of this cult classic.
It all started when Reginald was still at Harvard, where he would often make music videos in his head. One day, while listening to Luther Vandross's "Bad Boy/Having a Party," an idea struck him - he wanted to create a short film based on that song. The script eventually made its way to Spike Lee's She's Gotta Have It, which sparked interest in up-and-coming black filmmakers. New Line Cinema took notice and offered Reginald a meeting.
However, the studio initially wanted Jazzy Jeff and the Fresh Prince for the lead roles. But Reginald was convinced by Kid 'n Play - AKA Christopher "Kid" Reid and Christopher "Play" Martin - after showing them off their platinum records. The movie would follow a similar concept to the student film but expand on the world and characters.
"We were making more legal money than I'd ever seen," says Christopher "Play" Martin, who initially didn't want to do the movie due to past experiences with failed projects like Run-DMC's Tougher Than Leather. However, he was outvoted by Kid and their producer, Hurby Luv Bug.
Despite initial doubts about the film's success, Reginald and Chris Rock persevered, and House Party became a surprise hit. The movie captured the essence of hip-hop just before gangsta rap took over, tackling topics like safe sex in a way that was both humorous and accessible to young audiences.
One notable example of this is when kids from New Jersey came to ask for condoms after watching the film's trailer - an award-winning moment that showcases the impact House Party had on its viewers. Reginald credits this as one of the reasons why he has always strived to create films with substance and humor.
House Party remains a beloved film, not just because of its nostalgic value but also for its ability to represent an era of hip-hop in a way that was both authentic and entertaining. As Christopher "Play" Martin notes, the film never explicitly states the city or state where the story takes place, allowing viewers to imagine it as their own neighborhood.
Today, House Party continues to inspire new generations of filmmakers, with its blend of humor, music, and social commentary remaining a timeless classic in the world of hip-hop cinema.
The iconic hip-hop film House Party, released in 1990, has become a staple of 90s nostalgia. The movie's writers and directors, Reginald Hudlin and his brother Chris Rock, sat down with us to reminisce about their journey and the making of this cult classic.
It all started when Reginald was still at Harvard, where he would often make music videos in his head. One day, while listening to Luther Vandross's "Bad Boy/Having a Party," an idea struck him - he wanted to create a short film based on that song. The script eventually made its way to Spike Lee's She's Gotta Have It, which sparked interest in up-and-coming black filmmakers. New Line Cinema took notice and offered Reginald a meeting.
However, the studio initially wanted Jazzy Jeff and the Fresh Prince for the lead roles. But Reginald was convinced by Kid 'n Play - AKA Christopher "Kid" Reid and Christopher "Play" Martin - after showing them off their platinum records. The movie would follow a similar concept to the student film but expand on the world and characters.
"We were making more legal money than I'd ever seen," says Christopher "Play" Martin, who initially didn't want to do the movie due to past experiences with failed projects like Run-DMC's Tougher Than Leather. However, he was outvoted by Kid and their producer, Hurby Luv Bug.
Despite initial doubts about the film's success, Reginald and Chris Rock persevered, and House Party became a surprise hit. The movie captured the essence of hip-hop just before gangsta rap took over, tackling topics like safe sex in a way that was both humorous and accessible to young audiences.
One notable example of this is when kids from New Jersey came to ask for condoms after watching the film's trailer - an award-winning moment that showcases the impact House Party had on its viewers. Reginald credits this as one of the reasons why he has always strived to create films with substance and humor.
House Party remains a beloved film, not just because of its nostalgic value but also for its ability to represent an era of hip-hop in a way that was both authentic and entertaining. As Christopher "Play" Martin notes, the film never explicitly states the city or state where the story takes place, allowing viewers to imagine it as their own neighborhood.
Today, House Party continues to inspire new generations of filmmakers, with its blend of humor, music, and social commentary remaining a timeless classic in the world of hip-hop cinema.