Carl Gambino and Sarah Ivory, a young couple in their early 40s, have been collecting art for over a decade. Their journey began organically, as they brought back artworks from their travels - souvenirs not only of places but also of human encounters. The couple's collection has grown to over 100 works, with vibrant palettes and lively compositions dominating many of the pieces on view.
Their home in Brooklyn Heights is a testament to their passion for art, which has become intertwined with their professional lives and growing family. Everything about their home feels highly curated, with a dialogue between art and furniture that is carefully calibrated for a family environment. The couple's approach to collecting is largely shared, although acquisitions often arrive with a sense of urgency - particularly on Gambino's side.
For Ivory, the focus is on creating a harmonious balance in the space, while for Gambino, it's about immersing himself in the art world. Their relationship to collecting differs, yet they complement each other perfectly. For him, the passion borders on obsession, with Gambino returning to fairs day after day, rewalking aisles endlessly. For Ivory, one pass is enough, and she hits saturation faster.
The couple's collection reflects their values of supporting emerging artists and assembling a meaningful group of works that truly reflect an artist's practice. They own multiples of almost everyone they love, with Gambino explaining that buying many works from an artist he genuinely believes in makes discovery exciting and timely. The art world is a business, but for them, it's a passion.
Despite the changing landscape of the ultra-contemporary segment, Gambino remains optimistic about the future. He recognizes the growing recognition by major galleries of the importance of emerging spaces and the shift towards collaboration rather than competition. For him, the excitement hasn't faded, and he would love to spend most of his time looking at art.
Their relationship to collecting is not just about buying art but also about living with it - wanting the work around them every day as part of their life. The final decision is always made together, and most often comes down to a simple question: "do we want to live with this?"
Their home in Brooklyn Heights is a testament to their passion for art, which has become intertwined with their professional lives and growing family. Everything about their home feels highly curated, with a dialogue between art and furniture that is carefully calibrated for a family environment. The couple's approach to collecting is largely shared, although acquisitions often arrive with a sense of urgency - particularly on Gambino's side.
For Ivory, the focus is on creating a harmonious balance in the space, while for Gambino, it's about immersing himself in the art world. Their relationship to collecting differs, yet they complement each other perfectly. For him, the passion borders on obsession, with Gambino returning to fairs day after day, rewalking aisles endlessly. For Ivory, one pass is enough, and she hits saturation faster.
The couple's collection reflects their values of supporting emerging artists and assembling a meaningful group of works that truly reflect an artist's practice. They own multiples of almost everyone they love, with Gambino explaining that buying many works from an artist he genuinely believes in makes discovery exciting and timely. The art world is a business, but for them, it's a passion.
Despite the changing landscape of the ultra-contemporary segment, Gambino remains optimistic about the future. He recognizes the growing recognition by major galleries of the importance of emerging spaces and the shift towards collaboration rather than competition. For him, the excitement hasn't faded, and he would love to spend most of his time looking at art.
Their relationship to collecting is not just about buying art but also about living with it - wanting the work around them every day as part of their life. The final decision is always made together, and most often comes down to a simple question: "do we want to live with this?"