A dizzying 90-minute adaptation of Dostoevsky's novella "The Gambler" is a thrilling and frenetic ride that will leave even seasoned audiences breathless. Constructed from fragments of the original text, this Kyoto-based production, courtesy of Chiten Theatre, delves into the financial and romantic fortunes of roulette addict Alexei Ivanovich, with a cast that bangs billiard balls on stage before delivering lines.
The set is an impressive, spinning roulette-wheel contraption that is kept moving by the increasingly frenzied pushes of an exhausted Alexei – a clever representation of the thrills and drudgery of gambling addiction. The LED lights above track the ball's trajectory, adding to the sensory overload. It's clear that director Motoi Miura has aimed for a stylized effect, with rhythmic dialogue and highly choreographed movements.
The cast delivers standout performances, led by Takahide Akimoto as Alexei – whose ferocious monologues reveal the depths of his obsession with roulette and women like Polina. Satoko Abe shines as the outspoken Grandmother, bringing much-needed levity to the production's otherwise frantic pace. The addition of Kukangendai, an onstage rock trio, adds to the sonic assault.
However, this adaptation is not for those who enjoy watching a story unfold through character connections. Instead, the cast recounts rather than enacts much of the plot, with even lines meant for one another delivered directly to the audience. If you're looking to be immersed in the panicked slog of addiction, then this might be your cup of tea.
Ultimately, Chiten Theatre's "The Gambler" is an unforgettable experience that will leave you breathless and bewildered – but ultimately intrigued by its daring and inventive approach to a classic tale.
The set is an impressive, spinning roulette-wheel contraption that is kept moving by the increasingly frenzied pushes of an exhausted Alexei – a clever representation of the thrills and drudgery of gambling addiction. The LED lights above track the ball's trajectory, adding to the sensory overload. It's clear that director Motoi Miura has aimed for a stylized effect, with rhythmic dialogue and highly choreographed movements.
The cast delivers standout performances, led by Takahide Akimoto as Alexei – whose ferocious monologues reveal the depths of his obsession with roulette and women like Polina. Satoko Abe shines as the outspoken Grandmother, bringing much-needed levity to the production's otherwise frantic pace. The addition of Kukangendai, an onstage rock trio, adds to the sonic assault.
However, this adaptation is not for those who enjoy watching a story unfold through character connections. Instead, the cast recounts rather than enacts much of the plot, with even lines meant for one another delivered directly to the audience. If you're looking to be immersed in the panicked slog of addiction, then this might be your cup of tea.
Ultimately, Chiten Theatre's "The Gambler" is an unforgettable experience that will leave you breathless and bewildered – but ultimately intrigued by its daring and inventive approach to a classic tale.