London's Highgate Cemetery: A Bizarre Tale of Vampire Sighting Spree
In the late 1960s and early 1970s, a series of bizarre events unfolded around London's Highgate Cemetery. The eerie tales of vampire sightings, exorcisms, grave desecrations, and police involvement captivated the nation. At its peak, two men, David Farrant and Sean Manchester, found themselves in a heated competition to be the first to vanquish the elusive creature.
This wild tale has been brought to life on stage by writer James Demain and Alexander Knott, who also star in the play as Daniel Farringdon, a tobacconist turned vampire hunter, and Patrick Sheffield, a bishop. The hour-long comedy is presented as a lecture, with both men vying for control of the narrative.
As they recount their respective claims, the men frequently interrupt each other, leading to a series of comedic showdowns. The set design cleverly incorporates elements from the Highgate Cemetery, while the sound effects and musical composition create an unsettling atmosphere.
While the play is engaging and charming, it occasionally feels like a sketch rather than a fully fleshed-out comedy. There are moments that manage to send shivers down your spine, such as when a teenage girl describes being mesmerized by a red-eyed "entity" in the darkness. However, these intense moments are often undercut by breezy humor.
Despite its limitations, the play is an entertaining alternative to traditional Christmas ghost stories. Its stranger-than-fiction roots only add to its outrageous charm. A potential benefit of this production could be its adaptation as a site-specific show, allowing the audience to fully immerse themselves in the eerie atmosphere of Highgate Cemetery.
As it stands, "The Highgate Vampire" is a quirky and amusing tale that will leave you chuckling and perhaps even feeling a few goosebumps. Just don't expect too much in terms of scares – this is ultimately a comedy with supernatural undertones.
In the late 1960s and early 1970s, a series of bizarre events unfolded around London's Highgate Cemetery. The eerie tales of vampire sightings, exorcisms, grave desecrations, and police involvement captivated the nation. At its peak, two men, David Farrant and Sean Manchester, found themselves in a heated competition to be the first to vanquish the elusive creature.
This wild tale has been brought to life on stage by writer James Demain and Alexander Knott, who also star in the play as Daniel Farringdon, a tobacconist turned vampire hunter, and Patrick Sheffield, a bishop. The hour-long comedy is presented as a lecture, with both men vying for control of the narrative.
As they recount their respective claims, the men frequently interrupt each other, leading to a series of comedic showdowns. The set design cleverly incorporates elements from the Highgate Cemetery, while the sound effects and musical composition create an unsettling atmosphere.
While the play is engaging and charming, it occasionally feels like a sketch rather than a fully fleshed-out comedy. There are moments that manage to send shivers down your spine, such as when a teenage girl describes being mesmerized by a red-eyed "entity" in the darkness. However, these intense moments are often undercut by breezy humor.
Despite its limitations, the play is an entertaining alternative to traditional Christmas ghost stories. Its stranger-than-fiction roots only add to its outrageous charm. A potential benefit of this production could be its adaptation as a site-specific show, allowing the audience to fully immerse themselves in the eerie atmosphere of Highgate Cemetery.
As it stands, "The Highgate Vampire" is a quirky and amusing tale that will leave you chuckling and perhaps even feeling a few goosebumps. Just don't expect too much in terms of scares – this is ultimately a comedy with supernatural undertones.