In a bold pivot, Powerplant's Theo Zhykharyev trades in his electro-punk and dungeon synth for black metal, unleashing a sonic frenzy that's equal parts bewildering and infectious. The upcoming album "Bridge of Sacrifice," set to drop on March 13th, finds the Russian-born Londoner embracing his inner metalhead with reckless abandon.
Zhykharyev's decision to dive headfirst into this new territory is less about reinvention than it is about self-expression. Gone are the synth-heavy melodies and garage-rock guitars that once characterized Powerplant's sound; in their place lies a maelstrom of blastbeats, screeching guitars, and haunting vocals that recall the early 90s Norwegian black metal scene.
The results are nothing short of exhilarating. Zhykharyev's DIY ethos is still very much on display, from the creepily atmospheric video for "Bridge of Sacrifice" to his own Arcane Dynamics label, which churns out visually arresting merchandise alongside his music. It's a testament to his unwavering dedication to his artistic vision.
For those who've followed Powerplant's journey from its humble bedroom recording project beginnings, this sudden shift into black metal is both surprising and welcome. Zhykharyev's commitment to fun and escapism in the face of uncertainty feels like a beacon of hope in these trying times.
If you're looking for similar sonic adventures, look no further than Love Rarely's joyous math rock debut "Will," which pairs lightning-fast time signatures with pop-infused hooks and a healthy dose of emo-tinted screaming. Fakemink brings his UK underground MC credentials to the table with his goth-tinged "Young Millionaire," while Tama Gucci's "Xexe" showcases the NYC musician's surprising tender side.
In related news, Chris Forsyth's 25-minute improvisational session on "What Is Now" is a must-listen for fans of scruffy Necks-style explorations. Rounding out the list are Sluice's wistful slowcore contemplation "Beadie," Thundercat's grin-inducing return to form with "I Did This to Myself (ft Lil Yachty)," and Brown Horse's country-rock gem "Twisters."
Zhykharyev's decision to dive headfirst into this new territory is less about reinvention than it is about self-expression. Gone are the synth-heavy melodies and garage-rock guitars that once characterized Powerplant's sound; in their place lies a maelstrom of blastbeats, screeching guitars, and haunting vocals that recall the early 90s Norwegian black metal scene.
The results are nothing short of exhilarating. Zhykharyev's DIY ethos is still very much on display, from the creepily atmospheric video for "Bridge of Sacrifice" to his own Arcane Dynamics label, which churns out visually arresting merchandise alongside his music. It's a testament to his unwavering dedication to his artistic vision.
For those who've followed Powerplant's journey from its humble bedroom recording project beginnings, this sudden shift into black metal is both surprising and welcome. Zhykharyev's commitment to fun and escapism in the face of uncertainty feels like a beacon of hope in these trying times.
If you're looking for similar sonic adventures, look no further than Love Rarely's joyous math rock debut "Will," which pairs lightning-fast time signatures with pop-infused hooks and a healthy dose of emo-tinted screaming. Fakemink brings his UK underground MC credentials to the table with his goth-tinged "Young Millionaire," while Tama Gucci's "Xexe" showcases the NYC musician's surprising tender side.
In related news, Chris Forsyth's 25-minute improvisational session on "What Is Now" is a must-listen for fans of scruffy Necks-style explorations. Rounding out the list are Sluice's wistful slowcore contemplation "Beadie," Thundercat's grin-inducing return to form with "I Did This to Myself (ft Lil Yachty)," and Brown Horse's country-rock gem "Twisters."