Belgium's Cultural Landscape Under Siege: Artists Scorn Plan to Demolish Iconic Museum
A radical plan to dismantle Belgium's oldest contemporary art museum has sent shockwaves through the art world. The Flemish region's Culture Minister, Caroline Gennez, has announced plans to relocate M HKA, Antwerp's premier modern and contemporary art museum, to Ghent's Smak museum. The decision would effectively strip Antwerp of its status as a major cultural hub.
The artists behind some of the world's most renowned works are rallying against what they call an "arbitrary reshaping" of Belgium's museum landscape. Luc Tuymans, widely regarded as Belgium's most influential living artist, described the move as "insane." The Antwerp institution boasts a collection of 8,000 artworks by leading artists such as Kerry James Marshall and Anish Kapoor.
Critics argue that transplanting the collection would be akin to relocating an ecosystem. Anish Kapoor himself has protested against plans to bring his works to Smak, expressing concerns over their safety. "I cannot accept that they might be removed from M HKA or otherwise put at risk as part of any institutional reorganisation," he said.
The proposed shake-up is part of a broader effort by Flanders to cut public spending. The region faces a budget deficit of 5.4% of GDP, one of the largest in the eurozone. However, financial analysts have questioned whether this plan would actually lower costs. Belgium's financial inspectorate has given an unfavorable opinion on the proposals, warning that their impact on the budget would be "fragmentary."
While relocating the collection might save €3m annually, it is unclear how Smak would accommodate M HKA's vast holdings without significant investments. The new location lacks sufficient storage space, raising concerns over the long-term viability of this plan.
As tensions escalate, it remains to be seen whether Antwerp will lose its cultural identity. Critics fear that such drastic measures could lead to a homogenization of the art scene, with museums in different cities losing their unique character. The fate of M HKA hangs precariously in the balance as it becomes increasingly clear that the very heart of Belgian culture is under attack.
A radical plan to dismantle Belgium's oldest contemporary art museum has sent shockwaves through the art world. The Flemish region's Culture Minister, Caroline Gennez, has announced plans to relocate M HKA, Antwerp's premier modern and contemporary art museum, to Ghent's Smak museum. The decision would effectively strip Antwerp of its status as a major cultural hub.
The artists behind some of the world's most renowned works are rallying against what they call an "arbitrary reshaping" of Belgium's museum landscape. Luc Tuymans, widely regarded as Belgium's most influential living artist, described the move as "insane." The Antwerp institution boasts a collection of 8,000 artworks by leading artists such as Kerry James Marshall and Anish Kapoor.
Critics argue that transplanting the collection would be akin to relocating an ecosystem. Anish Kapoor himself has protested against plans to bring his works to Smak, expressing concerns over their safety. "I cannot accept that they might be removed from M HKA or otherwise put at risk as part of any institutional reorganisation," he said.
The proposed shake-up is part of a broader effort by Flanders to cut public spending. The region faces a budget deficit of 5.4% of GDP, one of the largest in the eurozone. However, financial analysts have questioned whether this plan would actually lower costs. Belgium's financial inspectorate has given an unfavorable opinion on the proposals, warning that their impact on the budget would be "fragmentary."
While relocating the collection might save €3m annually, it is unclear how Smak would accommodate M HKA's vast holdings without significant investments. The new location lacks sufficient storage space, raising concerns over the long-term viability of this plan.
As tensions escalate, it remains to be seen whether Antwerp will lose its cultural identity. Critics fear that such drastic measures could lead to a homogenization of the art scene, with museums in different cities losing their unique character. The fate of M HKA hangs precariously in the balance as it becomes increasingly clear that the very heart of Belgian culture is under attack.