A Promising Collaboration at the BBC National Orchestra of Wales
The recent performance by the BBC National Orchestra of Wales, led by chief conductor Ryan Bancroft, was a testament to the power of artistic collaboration. The concert featured three distinct works – Cadavre Exquis by Anders Hillborg, Sibelius's Lemminkäinen Suite Op 22, and Shostakovich's Cello Concerto No 2 Op 126 in G major with Alban Gerhardt as soloist – each one expertly woven into the fabric of the next.
Hillborg's composition was inspired by the surrealist game Cadavre Exquis, where artists create separate contributions without prior knowledge. In his piece, Hillborg drew upon a range of influences, from Stravinsky to Ligeti and Sibelius, crafting an intricate tapestry of sound that pulsed with energy and emotion.
Under Bancroft's guidance, the orchestra brought this sonic landscape to life, coaxing out a remarkable spectrum of instrumental colors. From delicate harmonies to thunderous bass registers, the music conjured images both fantastical and unsettling. Sibelius's Lemminkäinen Suite Op 22, with its darkly surreal connections to Finland's national epic, was a particular highlight. The BBC National Orchestra Wales masterfully balanced narrative drama with elemental intensity, while Amy McKean's poignant cor anglais solo left the audience spellbound.
The evening took an unexpected turn when Alban Gerhardt joined the orchestra for Shostakovich's Cello Concerto No 2 Op 126 in G major. Gerhardt's deeply nuanced performance drew out the music's bittersweet beauty, imbuing each note with a poignant vulnerability. The contrast between this melancholy work and Sibelius's more triumphant tone poem was striking, yet ultimately enhanced the overall musical experience.
Throughout the concert, there were moments of sheer magic, as if Hillborg had indeed pulled off some sort of sonic conjuring trick. These moments lingered in the listener's mind long after the music faded into silence, leaving a haunting sense of wonder and enchantment in its wake.
The recent performance by the BBC National Orchestra of Wales, led by chief conductor Ryan Bancroft, was a testament to the power of artistic collaboration. The concert featured three distinct works – Cadavre Exquis by Anders Hillborg, Sibelius's Lemminkäinen Suite Op 22, and Shostakovich's Cello Concerto No 2 Op 126 in G major with Alban Gerhardt as soloist – each one expertly woven into the fabric of the next.
Hillborg's composition was inspired by the surrealist game Cadavre Exquis, where artists create separate contributions without prior knowledge. In his piece, Hillborg drew upon a range of influences, from Stravinsky to Ligeti and Sibelius, crafting an intricate tapestry of sound that pulsed with energy and emotion.
Under Bancroft's guidance, the orchestra brought this sonic landscape to life, coaxing out a remarkable spectrum of instrumental colors. From delicate harmonies to thunderous bass registers, the music conjured images both fantastical and unsettling. Sibelius's Lemminkäinen Suite Op 22, with its darkly surreal connections to Finland's national epic, was a particular highlight. The BBC National Orchestra Wales masterfully balanced narrative drama with elemental intensity, while Amy McKean's poignant cor anglais solo left the audience spellbound.
The evening took an unexpected turn when Alban Gerhardt joined the orchestra for Shostakovich's Cello Concerto No 2 Op 126 in G major. Gerhardt's deeply nuanced performance drew out the music's bittersweet beauty, imbuing each note with a poignant vulnerability. The contrast between this melancholy work and Sibelius's more triumphant tone poem was striking, yet ultimately enhanced the overall musical experience.
Throughout the concert, there were moments of sheer magic, as if Hillborg had indeed pulled off some sort of sonic conjuring trick. These moments lingered in the listener's mind long after the music faded into silence, leaving a haunting sense of wonder and enchantment in its wake.