The enigmatic Ted Milton, 82, still embodies the unbridled energy of his youth, his charisma on full display as he navigates life's twists and turns with unapologetic flair. His irreverent career has been marked by a trailblazing spirit, having performed with some of the most iconic figures in British music history.
Milton's foray into puppetry began in the 1960s, where his performances often blurred the lines between art and anarchy. The experience had a profound impact on him, and he would later describe it as a form of psychosis – "charisma is a form of psychosis" – which allowed him to connect with audiences on a deep level.
As his own family has grown older, Milton's perspective has shifted. His children have given him grandchildren at the ripe age of 70, a testament to his enduring vitality. However, this newfound family life has brought its own set of challenges, forcing him to confront the complexities of parenthood and the weight of legacy.
Milton's music career, meanwhile, continues to ebb and flow with renewed vigor. As the frontman of Blurt, he has maintained a strong connection with his audience, effortlessly weaving his saxophone and vocals into a sound that is both raw and elegant. The band's performances have become the stuff of legend, with Milton's boundless energy drawing in crowds like a magnet.
Despite age and the passing of time, Milton remains an unapologetic provocateur, pushing boundaries with each new performance and album release. His most recent endeavor, "The Last Puppet Show," promises to be a scathing examination of his own demons, with puppets serving as a symbol of both creative freedom and existential struggle.
In conversation, Milton exudes a warm, if slightly mischievous, smile. His mind remains razor-sharp, slicing through the complexities of life with a wit that is as quick as it is devastating. Love Is Like a Violence, a 1984 solo track by Blurt, has become an unlikely anthem for club nights in Glasgow's Optimo, a testament to Milton's enduring influence.
As he prepares to hit the road once more with Blurt, Milton seems almost at peace, having finally found a sense of balance between his artistic pursuits and family life. Charisma may be a form of psychosis, but it has also been tempered by experience, wisdom, and an unwavering commitment to creative expression.
Milton's foray into puppetry began in the 1960s, where his performances often blurred the lines between art and anarchy. The experience had a profound impact on him, and he would later describe it as a form of psychosis – "charisma is a form of psychosis" – which allowed him to connect with audiences on a deep level.
As his own family has grown older, Milton's perspective has shifted. His children have given him grandchildren at the ripe age of 70, a testament to his enduring vitality. However, this newfound family life has brought its own set of challenges, forcing him to confront the complexities of parenthood and the weight of legacy.
Milton's music career, meanwhile, continues to ebb and flow with renewed vigor. As the frontman of Blurt, he has maintained a strong connection with his audience, effortlessly weaving his saxophone and vocals into a sound that is both raw and elegant. The band's performances have become the stuff of legend, with Milton's boundless energy drawing in crowds like a magnet.
Despite age and the passing of time, Milton remains an unapologetic provocateur, pushing boundaries with each new performance and album release. His most recent endeavor, "The Last Puppet Show," promises to be a scathing examination of his own demons, with puppets serving as a symbol of both creative freedom and existential struggle.
In conversation, Milton exudes a warm, if slightly mischievous, smile. His mind remains razor-sharp, slicing through the complexities of life with a wit that is as quick as it is devastating. Love Is Like a Violence, a 1984 solo track by Blurt, has become an unlikely anthem for club nights in Glasgow's Optimo, a testament to Milton's enduring influence.
As he prepares to hit the road once more with Blurt, Milton seems almost at peace, having finally found a sense of balance between his artistic pursuits and family life. Charisma may be a form of psychosis, but it has also been tempered by experience, wisdom, and an unwavering commitment to creative expression.
just read about Ted Milton's new album "The Last Puppet Show" and I'm already feeling the existential dread creeping in... 82 years young, still pushing boundaries? what if this is just a form of delayed acceptance of mortality? also, his latest tour dates are selling out fast, but have we seen the darker side of enthusiasm yet? people gathering to watch him perform with puppets might be more than just an innocent love for art 
Ugh, I'm so over this forum's layout 
. Can't we just simplify the comments section already? 
It's like trying to navigate a maze with too many twists and turns 
. And don't even get me started on how slow it takes for new posts to load 
. I swear, if I have to wait 30 seconds for someone's response, I'm outta here 
. Can we please just go back to the old format where comments appeared in a linear feed? 
It'd make my life so much easier 
.
82 is old for doing what he does and still killing it on stage with that saxophone his energy is infectious he's a true original and his music is like nothing else out there i mean love is like a violence is such an anthem for the club scene in glasgow and now he's getting back on tour which is gonna be epic can't wait to see him perform live
What really gets me is how he sees charisma as this intense form of psychosis, like it's a force that can both connect him to others and drive him crazy. That's so deep, you know?
at 82! He's got this crazy energy that just draws people in. I mean, who else can make puppetry look so edgy and raw? 
And I love how he's found a balance between his family life and his music career. It's not always easy to juggle those two things, but it sounds like he's really found his groove.
I'm definitely going to have to check that out when it comes out. But for now, let's just bask in the glory of Ted Milton's unbridled awesomeness 
And yeah, family life can be tough, but it seems like he's finally found that balance... that's what I call a productivity hack 
But what I think I love most about him is how unapologetic he remains. He's not afraid to poke fun at himself or push boundaries, and that's something we could all learn from 
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70 yrs old and rocking out with his band, not bad! the way he talks about his demons in "the last puppet show" is giving me major chills 
what a legend
. And his music career? Still going strong, and he's not afraid to speak his mind or stir up some controversy – that's gotta be a sign of someone who's still passionate about what they do 
. Plus, can you imagine having grandkids at 70? That's like, total rockstar status 
. Bring on "The Last Puppet Show" – I'm here for it!
. I mean, he's 82 and still rocking out with his saxophone? That's like me trying to do a backflip at my age... not gonna happen 
.
. Anyway, if you're into music and puppets, then this guy might be up your alley 
.
He's still got that wild energy going on at 82, but now he's got some added flavor from being a grandfather 
He's still got that charisma, but is it really from his art or from some deeper psychological manipulation?