Brazilian Guitarist Fabiano do Nascimento's Latest Album 'Vila' with 16-Piece Orchestra is a Masterclass in Mood Music.
In his latest album, Vila, Brazilian guitarist Fabiano do Nascimento has reached new heights of sonic complexity and emotional depth. This record marks a significant departure from his solo work, as he collaborates with the 16-piece Vittor Santos Orquestra to create an immersive, orchestral soundscape that showcases his virtuosic guitar playing.
Through his signature blend of finger-picked melodics and percussive strumming, Nascimento weaves in and out of the ensemble's dynamic range, never dominating but always complementing. On tracks like Spring Theme and O Tempo (Foi o Meu Mestre), he establishes a simple lead melody that guides the orchestra, while on Tema em Harmônicos his fingerpicking mirrors the hand percussion section, creating an intricate dialogue between instruments.
Conductor Vittor Santos's arrangements pay homage to fellow Brazilian composer Arthur Verocai, yielding lush, bossa-influenced harmonies on tracks like Valsa and Floresta Dos Sonhos. The result is a mood music album that luxuriates in gentle, sweeping viola and violin lines, alternating between metallic picking and warm strumming on the guitar.
While 'Vila' never quite reaches its full dramatic and explosive potential, Nascimento's mastery of his instrument is undeniable. His virtuosic dexterity shines brightest on the sprightly O Tempo (Foi o Meu Mestre), where he seamlessly shifts between double-time swing and half-time yearning sway, moving listeners with his soft melody.
For fans of Nascimento and orchestral music, 'Vila' is a must-listen. With its lush arrangements and masterful guitar playing, this album is a testament to the power of collaboration and the beauty of mood music.
In his latest album, Vila, Brazilian guitarist Fabiano do Nascimento has reached new heights of sonic complexity and emotional depth. This record marks a significant departure from his solo work, as he collaborates with the 16-piece Vittor Santos Orquestra to create an immersive, orchestral soundscape that showcases his virtuosic guitar playing.
Through his signature blend of finger-picked melodics and percussive strumming, Nascimento weaves in and out of the ensemble's dynamic range, never dominating but always complementing. On tracks like Spring Theme and O Tempo (Foi o Meu Mestre), he establishes a simple lead melody that guides the orchestra, while on Tema em Harmônicos his fingerpicking mirrors the hand percussion section, creating an intricate dialogue between instruments.
Conductor Vittor Santos's arrangements pay homage to fellow Brazilian composer Arthur Verocai, yielding lush, bossa-influenced harmonies on tracks like Valsa and Floresta Dos Sonhos. The result is a mood music album that luxuriates in gentle, sweeping viola and violin lines, alternating between metallic picking and warm strumming on the guitar.
While 'Vila' never quite reaches its full dramatic and explosive potential, Nascimento's mastery of his instrument is undeniable. His virtuosic dexterity shines brightest on the sprightly O Tempo (Foi o Meu Mestre), where he seamlessly shifts between double-time swing and half-time yearning sway, moving listeners with his soft melody.
For fans of Nascimento and orchestral music, 'Vila' is a must-listen. With its lush arrangements and masterful guitar playing, this album is a testament to the power of collaboration and the beauty of mood music.