I Do is more than just another wedding drama – it's an immersive experience that delves into the messy emotional lives of its characters, making it a truly unforgettable show.
The play, created by Daphna Attias and Terry O'Donovan, takes us on a journey through the final 10 minutes before Georgie (Carla Langley) and Tunde (Dauda Ladejobi) tie the knot. What initially appears to be an exercise in voyeuristic humor soon turns into a poignant portrayal of anguish and insecurity. As we shuttle between six rooms, each representing a different scenario, we're treated to a world that's both familiar and foreign.
From Georgie's mother, Helen (Johanne Murdock), navigating a painful reunion with her unfaithful ex-husband, David (Jonathan McGuinness), to the tender yet awkward moments shared by Tunde with his best man Joe (Manish Gandhi), each scene masterfully weaves together themes of love, regret, and longing. The writing, penned by Chloë Moss, is razor-sharp, effortlessly conveying the complexities of human emotions.
The production design by Jenny Hayton cleverly balances the sterile corporate environment of the hotel with the personal, emotional detritus of its inhabitants – it's a testament to the show's ability to capture the messy reality of real life. Attias' direction is meticulous, allowing for moments of stillness and quiet contemplation that reveal the depth of our characters' emotions.
One of the most striking aspects of I Do is its ability to build relationships with its audience, making us care for almost every character by the end. It's a big, heart-wrenching, ridiculous, and wonderful show – an authentic portrayal of love in all its messy, imperfect glory.
As we watch Georgie and Tunde prepare to embark on their journey together, we're reminded that even the most seemingly perfect days can hold secrets and surprises. I Do may not be a traditional wedding drama, but it's one that will leave you feeling seen, heard, and perhaps even a little bit wiser about love itself.
The play, created by Daphna Attias and Terry O'Donovan, takes us on a journey through the final 10 minutes before Georgie (Carla Langley) and Tunde (Dauda Ladejobi) tie the knot. What initially appears to be an exercise in voyeuristic humor soon turns into a poignant portrayal of anguish and insecurity. As we shuttle between six rooms, each representing a different scenario, we're treated to a world that's both familiar and foreign.
From Georgie's mother, Helen (Johanne Murdock), navigating a painful reunion with her unfaithful ex-husband, David (Jonathan McGuinness), to the tender yet awkward moments shared by Tunde with his best man Joe (Manish Gandhi), each scene masterfully weaves together themes of love, regret, and longing. The writing, penned by Chloë Moss, is razor-sharp, effortlessly conveying the complexities of human emotions.
The production design by Jenny Hayton cleverly balances the sterile corporate environment of the hotel with the personal, emotional detritus of its inhabitants – it's a testament to the show's ability to capture the messy reality of real life. Attias' direction is meticulous, allowing for moments of stillness and quiet contemplation that reveal the depth of our characters' emotions.
One of the most striking aspects of I Do is its ability to build relationships with its audience, making us care for almost every character by the end. It's a big, heart-wrenching, ridiculous, and wonderful show – an authentic portrayal of love in all its messy, imperfect glory.
As we watch Georgie and Tunde prepare to embark on their journey together, we're reminded that even the most seemingly perfect days can hold secrets and surprises. I Do may not be a traditional wedding drama, but it's one that will leave you feeling seen, heard, and perhaps even a little bit wiser about love itself.