A Czech customs guard's diligence and a blustery British weather have brought an end to three decades of secrecy surrounding a small suitcase filled with artworks, love letters, poems, and manuscripts created by Jewish artist and poet Peter Kien in the Theresienstadt ghetto during World War II. The suitcase, containing 681 items, had been jealously guarded by a Czech museum since its confiscation by communist forces, but it finally made its way to the Wiener Holocaust Library in London last Thursday.
The story begins with Helga Wolfenstein, Kien's lover and mother of Judy King, who received the small suitcase from her partner on the eve of his deportation to Auschwitz. After Kien's murder at the age of 25, along with his parents and estranged wife, Wolfenstein kept the suitcase safe for over three decades before passing it down to her daughter, who made a promise to reunite it with its rightful owner.
Wolfenstein had initially left the suitcase with her aunt in Prague, but it was confiscated by communist forces after being discovered by an informant. Despite repeated attempts to recover the suitcase, Wolfenstein's efforts were met with resistance from the TerezΓn Memorial Museum, which refused to return the artworks.
The situation took a turn for the better when Judy King visited the museum with her cousin and discovered that they were willing to work with her, but only if she could provide additional information. After months of coordination, the customs department finally relented, allowing the suitcase to be transported to London.
However, just as all seemed lost, a last-minute intervention by a friend who was coordinating the efforts from Prague managed to secure a customs clearance for the artworks. The suitcase arrived in London after a turbulent flight, but its contents were eventually settled into their new home at the Wiener Holocaust Library.
The library's senior archivist described the donation as "most grateful" and hailed it as a welcome addition to their archive of nearly 100 other Kien works that were smuggled out by King's cousin during the communist era. For Judy King, this reunion with her mother's legacy is a testament to her enduring love for Peter Kien's work and her dedication to preserving his memory.
The story serves as a poignant reminder of the importance of preserving cultural heritage during times of conflict and repression. Wolfenstein's determination to reunite with her suitcase and its contents was a beacon of hope in the face of adversity, and Judy King's perseverance has ensured that Kien's legacy will continue to inspire future generations.
The story begins with Helga Wolfenstein, Kien's lover and mother of Judy King, who received the small suitcase from her partner on the eve of his deportation to Auschwitz. After Kien's murder at the age of 25, along with his parents and estranged wife, Wolfenstein kept the suitcase safe for over three decades before passing it down to her daughter, who made a promise to reunite it with its rightful owner.
Wolfenstein had initially left the suitcase with her aunt in Prague, but it was confiscated by communist forces after being discovered by an informant. Despite repeated attempts to recover the suitcase, Wolfenstein's efforts were met with resistance from the TerezΓn Memorial Museum, which refused to return the artworks.
The situation took a turn for the better when Judy King visited the museum with her cousin and discovered that they were willing to work with her, but only if she could provide additional information. After months of coordination, the customs department finally relented, allowing the suitcase to be transported to London.
However, just as all seemed lost, a last-minute intervention by a friend who was coordinating the efforts from Prague managed to secure a customs clearance for the artworks. The suitcase arrived in London after a turbulent flight, but its contents were eventually settled into their new home at the Wiener Holocaust Library.
The library's senior archivist described the donation as "most grateful" and hailed it as a welcome addition to their archive of nearly 100 other Kien works that were smuggled out by King's cousin during the communist era. For Judy King, this reunion with her mother's legacy is a testament to her enduring love for Peter Kien's work and her dedication to preserving his memory.
The story serves as a poignant reminder of the importance of preserving cultural heritage during times of conflict and repression. Wolfenstein's determination to reunite with her suitcase and its contents was a beacon of hope in the face of adversity, and Judy King's perseverance has ensured that Kien's legacy will continue to inspire future generations.