Julie Campiche's latest album, Unspoken, is a masterful blend of soundscapes and musical urgency. The Swiss harpist's avant-jazz ensemble weaves together an enchanting sonic tapestry that not only showcases her technical virtuosity but also serves as a powerful platform for social commentary.
The album's title, Unspoken, is aptly descriptive, capturing the essence of Campiche's creative vision – a celebration of women's voices and experiences. The opening track, Anonymous, sets the tone with a haunting quote from Virginia Woolf repeated by a chorus of women's voices in various languages, evoking a sense of solidarity and unity.
Campiche's harp playing is nothing short of mesmerizing, conjuring images of Grisélidis Réal's artistic and physical journey, as well as paying tribute to the weary resolve of migrant workers. The lilting melody of Rosa is a poignant tribute to those who endure, while Maman du Ciel showcases Campiche's innovative use of breath control as a rhythmic pattern.
Unspoken is a jazz album that defies conventions, embracing improvisation and collective free-swing without sacrificing musical cohesion. It is an unaccompanied masterpiece, where the beauty of sound is elevated by Campiche's visionary approach.
Unlike her previous works, Unspoken is the least jazzy of her ventures so far, but it is precisely this subtlety that makes its impact all the more striking. This album is not just a testament to Campiche's skill as a harpist but also a powerful statement on the importance of amplifying women's voices and experiences.
In an era where musical boundaries are constantly being pushed, Julie Campiche's Unspoken stands out as a beacon of hope, innovation, and creativity. This album is an absolute must-listen for anyone seeking to explore the vast expanse of contemporary jazz.
The album's title, Unspoken, is aptly descriptive, capturing the essence of Campiche's creative vision – a celebration of women's voices and experiences. The opening track, Anonymous, sets the tone with a haunting quote from Virginia Woolf repeated by a chorus of women's voices in various languages, evoking a sense of solidarity and unity.
Campiche's harp playing is nothing short of mesmerizing, conjuring images of Grisélidis Réal's artistic and physical journey, as well as paying tribute to the weary resolve of migrant workers. The lilting melody of Rosa is a poignant tribute to those who endure, while Maman du Ciel showcases Campiche's innovative use of breath control as a rhythmic pattern.
Unspoken is a jazz album that defies conventions, embracing improvisation and collective free-swing without sacrificing musical cohesion. It is an unaccompanied masterpiece, where the beauty of sound is elevated by Campiche's visionary approach.
Unlike her previous works, Unspoken is the least jazzy of her ventures so far, but it is precisely this subtlety that makes its impact all the more striking. This album is not just a testament to Campiche's skill as a harpist but also a powerful statement on the importance of amplifying women's voices and experiences.
In an era where musical boundaries are constantly being pushed, Julie Campiche's Unspoken stands out as a beacon of hope, innovation, and creativity. This album is an absolute must-listen for anyone seeking to explore the vast expanse of contemporary jazz.
but I gotta say, some parts feel kinda safe? I mean, I get what she's trying to do with the social commentary and all, but it feels a bit on-the-nose at times. And don't even get me started on the jaziness - I'm not sure if this is actually her most jazz-y album yet or just an attempt to lean into that vibe 
. Still, the harp playing is insane and the album has some seriously emotional moments 
! It's like she's speaking straight to your soul with her haunting harp melodies 
. I mean, who wouldn't be moved by a track called Anonymous? The way she weaves together these powerful quotes and sounds is just genius 
. And can we talk about how beautiful it is that she's using music as a platform for social commentary? It's like she's shining a light on all the unsaid things that need to be said 
. Unspoken is definitely an album that'll stay with you long after it's over, and I'm obsessed! 
. As a woman, it's so empowering to see her creating a platform for social commentary that speaks directly to the experiences of women all over the world 
. The fact that she's pushing boundaries with this album and embracing improvisation is truly inspiring 
. It's so bold and fearless – not just for jazz music, but for art itself. Campiche and her ensemble are unafraid to experiment and push boundaries, and it shows in every note. I mean, who needs conventions when you can create something entirely new and innovative?
. Like, we're on the cusp of something huge here – an era where musical boundaries are being pushed to new heights, and Campiche's Unspoken is leading the charge. If you haven't listened to it yet, what are you even doing with your life?
. I mean, come on, can we talk about how frustrating it is to have to create an account just to leave a 2-sentence review? 
It's like they want us to be obsessed with their platform.
. Can't we just have a plain text box without all the extra bells and whistles? It's so much easier to read this way 
. I swear, it's like they're trying to make us clickbait-ify our own comments 
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. And the fact that it's not just a traditional jazz album but something more experimental and free-swing is what makes it truly special 
. As someone who's all about mindfulness and self-care, I find this music to be super therapeutic - it helps me tap into my own emotions and energies. Have you listened to Unspoken yet? 
Her harp playing is seriously mesmerizing and I love how she weaves together stories and experiences from women's lives into the music 
And what really gets me is how she uses her platform to amplify women's voices and experiences - it's so necessary in this current era 
The way she incorporates different languages and voices on the track Anonymous gives me chills every time... it's like she's tapping into this collective unconscious or something. And that Rosa track? Forget about it! It's like she's bottling up all these emotions and letting them spill out in this beautiful, lilting melody 
. Unspoken is more than just a jazz album to me – it's a movement. We need more music like this, you know? Something that speaks truth to power and amplifies the voices that matter most 
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. And what I love about this album is how she's not afraid to push boundaries and challenge traditional notions of jazz 
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just imagine that kind of reach for a harpist who's pushing boundaries like this 
but Julie Campiche is definitely challenging those stats with Unspoken, which has gotten over 10K reviews on Apple Music and is currently trending at #1 in the 'world music' category 
which is SO high for an indie artist! and did u know that Unspoken has already broken the record for most streamed jazz album on Bandcamp in a single month? 
! She's got this amazing talent that combines harp playing with such depth and emotion. The way she weaves together different sounds and styles is pure magic 
. The fact that it's not as 'jazzy' as her other stuff just makes it all the more impressive, you know? It's like she's breaking all these rules and still managing to create something beautiful and meaningful 
it's like a beautiful, melancholic dream that you don't want to wake up from 
the social commentary is so powerful, it really makes you think about the importance of amplifying women's voices