Julie Campiche's latest album, Unspoken, is a masterclass in subtlety and nuance, effortlessly weaving together disparate sounds to create a sonic tapestry that is both deeply personal and universally relatable.
The 25-year-old Swiss harpist has been making waves in the jazz scene with her virtuosic instrumental performances, but Unspoken marks a significant departure from her earlier work. Gone are the bombastic arrangements of yesteryear; instead, Campiche offers an unaccompanied album that is at once intimate and expansive.
Throughout Unspoken, Campiche's harp playing is the clear centrepiece, its crystalline tones conjuring images of misty mountain landscapes and moonlit forests. Yet, it's not alone – a rich array of sounds swirls around her, from the ominous creaking of footsteps to the lilting rhythms of migrant workers.
The album is also a celebration of sisterhood, dedicated to women who have inspired Campiche throughout her life. Her tribute to Grisélidis Réal, a Swiss artist and writer, is a hauntingly beautiful meditation on identity and creativity, while Rosa is a rousing anthem to the resilience of migrant workers.
What sets Unspoken apart from its predecessor is its clarity – there are no extramusical agendas or polemics here. Campiche's vision is pure, allowing her music to speak for itself in all its quiet power.
In contrast, some of this month's other releases are more overtly ambitious. New York pianist Craig Taborn's Dream Archives is a virtuosic showcase for his talents, while trumpeter Airelle Besson and accordionist Lionel Suárez deliver a joyous mainline jazz set on Blossom. Meanwhile, gifted young UK pianist Noah Stoneman presents an ingenious reworking of his own compositions with Dance at Zero.
Despite the contrasts, Unspoken stands as a testament to Campiche's unique vision – a world where the boundaries between sound and silence are blurred, and the listener is free to drift wherever their imagination may take them.
The 25-year-old Swiss harpist has been making waves in the jazz scene with her virtuosic instrumental performances, but Unspoken marks a significant departure from her earlier work. Gone are the bombastic arrangements of yesteryear; instead, Campiche offers an unaccompanied album that is at once intimate and expansive.
Throughout Unspoken, Campiche's harp playing is the clear centrepiece, its crystalline tones conjuring images of misty mountain landscapes and moonlit forests. Yet, it's not alone – a rich array of sounds swirls around her, from the ominous creaking of footsteps to the lilting rhythms of migrant workers.
The album is also a celebration of sisterhood, dedicated to women who have inspired Campiche throughout her life. Her tribute to Grisélidis Réal, a Swiss artist and writer, is a hauntingly beautiful meditation on identity and creativity, while Rosa is a rousing anthem to the resilience of migrant workers.
What sets Unspoken apart from its predecessor is its clarity – there are no extramusical agendas or polemics here. Campiche's vision is pure, allowing her music to speak for itself in all its quiet power.
In contrast, some of this month's other releases are more overtly ambitious. New York pianist Craig Taborn's Dream Archives is a virtuosic showcase for his talents, while trumpeter Airelle Besson and accordionist Lionel Suárez deliver a joyous mainline jazz set on Blossom. Meanwhile, gifted young UK pianist Noah Stoneman presents an ingenious reworking of his own compositions with Dance at Zero.
Despite the contrasts, Unspoken stands as a testament to Campiche's unique vision – a world where the boundaries between sound and silence are blurred, and the listener is free to drift wherever their imagination may take them.
! The way she weaves together different sounds is like a beautiful puzzle – it's so mesmerizing! I love how she's ditched the bombastic arrangements and gone for something more intimate and expansive. It's like she's sharing this secret world with us, you know? And can we talk about her harp playing? 
It's like the sound of misty mountains and moonlit forests come to life! The way the album celebrates sisterhood and women who inspire her is really beautiful too 
. I feel like Unspoken is a masterclass in subtlety – it's not trying to be flashy or showy, it just lets the music speak for itself. And can we talk about how refreshing that is? 
. It sounds like just another "innovative" artist trying to convince us of her genius 
. I mean, a harpist playing alone? How original...and boring 
. And what's up with the whole sisterhood thing? Is she trying to sell us on some kind of pseudo-activism vibe? 
Give me a break. And don't even get me started on the pretentious album titles 
. I'll believe it when I hear it...not that I'm gonna be listening to this album anyway 
Also, no sources or evidence for the "celebration of sisterhood" claim... who are these women and how did they inspire her exactly?
I think what I love most about Julie Campiche's new album "Unspoken" is how it captures this sense of quiet power. You know, sometimes the most beautiful things in life aren't loud or showy – they're just this gentle hum that resonates deep inside you 
. I mean, it's not always easy music, but it's the kind of album that makes you feel all the feels without even realizing it 
.
25-year-old Julie Campiche just dropped her album Unspoken 
. And it's not just the numbers, this album is like a breath of fresh air 
. I've been listening non-stop and my Spotify history says I've listened to it for 37 hours straight 
. The fans are loving it too - Unspoken has already got over 1 million streams on Spotify in just one week 
! And what's even more impressive is that Campiche wrote this album while being low-key homesick and feeling lost 
. That's the beauty of Unspoken, it's like she bottled up all those emotions and created something truly beautiful 
. Give it a listen and see what you think!
. And I love how it's a celebration of sisterhood, it's like she's bringing all these strong women into your living room and we're all just vibing together 
.
Unspoken by Julie Campiche is truly a masterclass in subtlety & nuance 
And the way she celebrates sisterhood & women who inspire her is pure gold 
Can't wait to see what she comes up with next 
Oh my goodness, I am totally obsessed with Julie Campiche's new album Unspoken! 
. And can we talk about how beautiful it is that she dedicated the whole thing to women who have inspired her? 
. It's like she's speaking directly to your soul. And the best part is, it's so clear and pure - you can just feel the music and let it take you wherever you want 
. No distractions, no agendas... just her harp and her heart beating out this incredible sound 
... it's like she's tapped into this quiet strength that resonates within us all. The way she weaves together these disparate sounds, creating this sonic tapestry that's both deeply personal and universal, is just so captivating. It makes me think about how music can be a reflection of our innermost selves, but also a bridge to connect with others on a deeper level... 
i love how she went from all that jazz bombast to just herself and her harp it's so peaceful, you can actually hear the trees swaying in the wind while listening 
i also adore how it's a celebration of sisterhood and women who inspire her, Grisélidis Réal and Rosa are total legends 
. But what really gets me is how personal yet universal it feels - like she's sharing a part of herself with us, but still leaves room for our own interpretation 
. I'm not usually into album reviews, but this one is making me wanna dive in and explore more of her music 
Her harp playing is insane 
it's like she's speaking directly to your soul 
the way she weaves together different sounds to create this sonic tapestry is pure magic 
but what really gets me is the message of sisterhood and celebrating women who inspire us