Kwame Brathwaite, the legendary photographer and activist behind some of the most iconic images of the 'Black is Beautiful' movement, has left this world at the age of 85. The pioneering figure, who captured the essence of Black identity through his lens, will be deeply missed by those who knew him and admired his work.
Born in 1938 to Barbadian immigrants in New York, Brathwaite's journey as a photographer began when he was just 17 years old. A visit to David Jackson's haunting photograph of Emmett Till in an open casket sparked his interest in photography, while another encounter with a young Black photographer taking shots without flash ignited a fire within him. He went on to study the art at the School of Industrial Art and developed a darkroom technique that would become synonymous with his work.
As the founder of the African Jazz Arts Society and Studios (AJASS), Brathwaite used his photography as a tool for social change, pushing back against Eurocentric beauty standards and celebrating Black identity. His photographs of models like Sikolo Brathwaite, whom he married in 1966, showcased the beauty of unbridled Blackness, paving the way for future generations.
Throughout his career, Brathwaite's focus on jazz shifted to other forms of popular Black music, as he documented tours by iconic acts like the Jackson Five and Stevie Wonder. He also photographed Nina Simone, Bob Marley, and others, cementing his legacy as a chronicler of Black culture.
Despite struggling with poor health in recent years, Brathwaite continued to create until 2018 when he shot artist Joanne Petit-Frère for The New Yorker. A retrospective exhibition is currently on view at the Art Institute of Chicago, where it will remain until July 24.
Kwame Brathwaite's impact on photography and Black culture cannot be overstated. His work continues to inspire a new generation, and his legacy will forever be etched in the fabric of our collective identity.
Born in 1938 to Barbadian immigrants in New York, Brathwaite's journey as a photographer began when he was just 17 years old. A visit to David Jackson's haunting photograph of Emmett Till in an open casket sparked his interest in photography, while another encounter with a young Black photographer taking shots without flash ignited a fire within him. He went on to study the art at the School of Industrial Art and developed a darkroom technique that would become synonymous with his work.
As the founder of the African Jazz Arts Society and Studios (AJASS), Brathwaite used his photography as a tool for social change, pushing back against Eurocentric beauty standards and celebrating Black identity. His photographs of models like Sikolo Brathwaite, whom he married in 1966, showcased the beauty of unbridled Blackness, paving the way for future generations.
Throughout his career, Brathwaite's focus on jazz shifted to other forms of popular Black music, as he documented tours by iconic acts like the Jackson Five and Stevie Wonder. He also photographed Nina Simone, Bob Marley, and others, cementing his legacy as a chronicler of Black culture.
Despite struggling with poor health in recent years, Brathwaite continued to create until 2018 when he shot artist Joanne Petit-Frère for The New Yorker. A retrospective exhibition is currently on view at the Art Institute of Chicago, where it will remain until July 24.
Kwame Brathwaite's impact on photography and Black culture cannot be overstated. His work continues to inspire a new generation, and his legacy will forever be etched in the fabric of our collective identity.