Maga-funded Murals Honor Slain Ukrainian Refugee, Fuel Accusations of Exploiting Her Memory
In Brooklyn's Bushwick neighborhood, a towering mural has appeared on the side of Formosa, a popular Taiwanese dumpling joint. The image depicts 23-year-old Iryna Zarutska, a Ukrainian refugee who was brutally murdered in Charlotte, North Carolina, while riding the light rail home from her job at a local pizzeria. The mural is part of a larger campaign by conservative figures and Maga leader Eoghan McCabe to honor Zarutska's memory.
Chief among those backing the project are Elon Musk and Donald Trump, who have used Zarutska's murder as an example of what they consider rampant violence in US cities. Leading Maga figures, including JD Vance and Andrew Tate, have also weighed in on the matter, with Tate suggesting that "pretty girls" like Zarutska cannot be trusted outside their homes.
The murals, which have popped up across the country, were painted by artist Ben Keller, who has previously worked on projects for Musk and Jeff Bezos. The project is funded by a combination of donations from supporters, including McCabe's $500k grant and Musk's $1m contribution. Critics argue that this top-down approach to memorializing Zarutska lacks the grassroots spirit of traditional street art.
Memorial murals have long been a familiar sight in cities, but critics say these outsourced artworks are "a hijacking of the moral aesthetic" of spray-painted memorials. The image itself is seen as sterile and lacking in context, merely painting Zarutska's likeness on a building without conveying her humanity or the circumstances surrounding her death.
The murals have sparked controversy, with some residents expressing disdain for the project. In one instance, graffiti reading "Fuck Trump" was added to the lower third of the wall near the Bushwick mural.
Critics like artist RJ Rushmore see these murals as a form of "marking territory," exploiting Zarutska's memory for ideological gain rather than truly honoring her legacy. The lack of input from Zarutska's community and family adds to the criticism, with many arguing that the project feels cheap and lacking in authenticity.
As the debate surrounding the murals continues, one thing is clear: Iryna Zarutska's death was a tragedy that should be remembered and honored in a way that reflects her humanity and circumstances. Instead, the Maga-funded murals have fueled accusations of weaponizing her memory for ideological purposes.
In Brooklyn's Bushwick neighborhood, a towering mural has appeared on the side of Formosa, a popular Taiwanese dumpling joint. The image depicts 23-year-old Iryna Zarutska, a Ukrainian refugee who was brutally murdered in Charlotte, North Carolina, while riding the light rail home from her job at a local pizzeria. The mural is part of a larger campaign by conservative figures and Maga leader Eoghan McCabe to honor Zarutska's memory.
Chief among those backing the project are Elon Musk and Donald Trump, who have used Zarutska's murder as an example of what they consider rampant violence in US cities. Leading Maga figures, including JD Vance and Andrew Tate, have also weighed in on the matter, with Tate suggesting that "pretty girls" like Zarutska cannot be trusted outside their homes.
The murals, which have popped up across the country, were painted by artist Ben Keller, who has previously worked on projects for Musk and Jeff Bezos. The project is funded by a combination of donations from supporters, including McCabe's $500k grant and Musk's $1m contribution. Critics argue that this top-down approach to memorializing Zarutska lacks the grassroots spirit of traditional street art.
Memorial murals have long been a familiar sight in cities, but critics say these outsourced artworks are "a hijacking of the moral aesthetic" of spray-painted memorials. The image itself is seen as sterile and lacking in context, merely painting Zarutska's likeness on a building without conveying her humanity or the circumstances surrounding her death.
The murals have sparked controversy, with some residents expressing disdain for the project. In one instance, graffiti reading "Fuck Trump" was added to the lower third of the wall near the Bushwick mural.
Critics like artist RJ Rushmore see these murals as a form of "marking territory," exploiting Zarutska's memory for ideological gain rather than truly honoring her legacy. The lack of input from Zarutska's community and family adds to the criticism, with many arguing that the project feels cheap and lacking in authenticity.
As the debate surrounding the murals continues, one thing is clear: Iryna Zarutska's death was a tragedy that should be remembered and honored in a way that reflects her humanity and circumstances. Instead, the Maga-funded murals have fueled accusations of weaponizing her memory for ideological purposes.