The article discusses the ArteYUNQUE project, a contemporary art initiative that explores the relationship between nature and human creativity in Puerto Rico's El Yunque National Forest. The project aims to promote sustainability and environmental consciousness through art, using the forest as a living laboratory.
ArteYUNQUE was founded by Carmen Vega, who sees art as a tool for "re-engineering" how human creativity can operate in symbiosis with nature rather than against it. The project brings together local and international artists to create site-specific installations that engage with the forest's natural systems and landscapes.
The article highlights several examples of ArteYUNQUE's work, including:
* Jaime Suárez's "Toro Barroglifos de El Yunque" (Barroglifos of El Yunge), a series of spiral ceramic forms that gently settle onto moss-covered ancient rocks.
* Dhara Rivera's "La Lluvia, la Casa y el Río Invisible" (The Rain, the House and the Invisible River), which features hanging clay containers connected by pipes and taps that become activated when it rains.
* Frances Rivera González's "El Río se Hace Cuerpo" (The River Becomes Body), a series of suspended sculptures made from coconut palm and cabuya fibers that evolve with humidity and time.
The article also notes that ArteYUNQUE has faced challenges, including damage caused by curious visitors and the need to preserve or extend the life of the works. However, Vega remains committed to the project's mission, which is to promote a deeper understanding and appreciation of the natural world through art.
Ultimately, ArteYUNQUE stands as a pioneering model for how art and ecological consciousness can converge, using art as a tool to inspire reflection and action toward recognizing, respecting, and protecting the interdependence of ecosystems, communities, and Puerto Rico's vital natural resources.
ArteYUNQUE was founded by Carmen Vega, who sees art as a tool for "re-engineering" how human creativity can operate in symbiosis with nature rather than against it. The project brings together local and international artists to create site-specific installations that engage with the forest's natural systems and landscapes.
The article highlights several examples of ArteYUNQUE's work, including:
* Jaime Suárez's "Toro Barroglifos de El Yunque" (Barroglifos of El Yunge), a series of spiral ceramic forms that gently settle onto moss-covered ancient rocks.
* Dhara Rivera's "La Lluvia, la Casa y el Río Invisible" (The Rain, the House and the Invisible River), which features hanging clay containers connected by pipes and taps that become activated when it rains.
* Frances Rivera González's "El Río se Hace Cuerpo" (The River Becomes Body), a series of suspended sculptures made from coconut palm and cabuya fibers that evolve with humidity and time.
The article also notes that ArteYUNQUE has faced challenges, including damage caused by curious visitors and the need to preserve or extend the life of the works. However, Vega remains committed to the project's mission, which is to promote a deeper understanding and appreciation of the natural world through art.
Ultimately, ArteYUNQUE stands as a pioneering model for how art and ecological consciousness can converge, using art as a tool to inspire reflection and action toward recognizing, respecting, and protecting the interdependence of ecosystems, communities, and Puerto Rico's vital natural resources.