Brendan Fraser's Latest Misfire: 'Rental Family'
In a bafflingly complacent attempt at comedy-drama, Brendan Fraser stars in "Rental Family", a film that seeks to milk the concept of bespoke therapeutic role-play services for all it's worth. Playing Phillip, an unemployed actor from the US who has been living in Tokyo for years, Fraser delivers a bland and ingratiating performance.
The story centers around Phillip's new source of income: working for a "rental family" that offers clients the chance to play out various roles, including grieving spouses, deceased loved ones, or unsatisfactory coworkers. But when Phillip is hired to pretend to be a father figure to a young girl whose mother needs a respectable figure for an elite private school interview, things quickly become mired in sentimentality and implausibility.
Director Hikari's attempt at satire falls flat, instead opting for vacuous platitudes about the nature of role-playing. The film's tone is problematic from the get-go, veering wildly between quirky farce and reactionary patriarchal nonsense. One can't help but wonder if the writer has any real understanding of the complexities of lying to one's family members, let alone the devastating consequences of such deception.
The film's portrayal of a "rental family" service that caters to clients' emotional needs is troubling, and Fraser's character is ultimately shown to be willing to risk breaking the heart of an innocent child in order to appease his bosses. It's a woefully inadequate response to the complexities of real-life role-playing.
In short, "Rental Family" is a pointlessly silly film that mistakes shallow sentimentality for depth. With its flaccid tone and fundamentally wrong-headed approach to theme, it's a misfire from Brendan Fraser, who deserves better.
In a bafflingly complacent attempt at comedy-drama, Brendan Fraser stars in "Rental Family", a film that seeks to milk the concept of bespoke therapeutic role-play services for all it's worth. Playing Phillip, an unemployed actor from the US who has been living in Tokyo for years, Fraser delivers a bland and ingratiating performance.
The story centers around Phillip's new source of income: working for a "rental family" that offers clients the chance to play out various roles, including grieving spouses, deceased loved ones, or unsatisfactory coworkers. But when Phillip is hired to pretend to be a father figure to a young girl whose mother needs a respectable figure for an elite private school interview, things quickly become mired in sentimentality and implausibility.
Director Hikari's attempt at satire falls flat, instead opting for vacuous platitudes about the nature of role-playing. The film's tone is problematic from the get-go, veering wildly between quirky farce and reactionary patriarchal nonsense. One can't help but wonder if the writer has any real understanding of the complexities of lying to one's family members, let alone the devastating consequences of such deception.
The film's portrayal of a "rental family" service that caters to clients' emotional needs is troubling, and Fraser's character is ultimately shown to be willing to risk breaking the heart of an innocent child in order to appease his bosses. It's a woefully inadequate response to the complexities of real-life role-playing.
In short, "Rental Family" is a pointlessly silly film that mistakes shallow sentimentality for depth. With its flaccid tone and fundamentally wrong-headed approach to theme, it's a misfire from Brendan Fraser, who deserves better.