The latest installment in the lackluster Silent Hill horror franchise, Return to Silent Hill, has finally arrived. Director Christopher Gans returns to the series that first saw his work back in 2006, a film that garnered little more than a cult following and a single sequel years later.
The story takes place in the same haunted town where James (Jeremy Irvine), a hapless protagonist with an unhealthy fixation on Mary (Hannah Emily Anderson), finds himself inexplicably drawn into Silent Hill, despite obvious signs of impending doom. Despite the confusing chemistry between the leads, the two fall deeply in love and settle in Mary's bizarre hometown - although one can't help but wonder why Mary remained eager to leave if her past hinted at a troubled family.
James's all-consuming obsession with Mary is the central plot device that drives this film forward. While the parallel tracks of his past, where he grapples with Mary's strange "family," and present-day predicaments featuring ghostly apparitions offer some glimmer of purpose and mystery, the movie gradually devolves into an aimless wander through a visually distinct yet eerily vacant landscape.
Gans seems to have struggled with finding a cohesive narrative that leverages gameplay mechanics in meaningful ways. Instead, he settles for shallow nods to the original video game's atmospheric tension. While some scenes showcase striking visuals like hordes of grotesque creatures or eerie hallucinations featuring fractured-mirror reflections, these are ultimately undermined by an inconsistent world that fails to establish a baseline reality.
Perhaps Gans is drawn back to Silent Hill due to its dreamlike ambiguity, a quality that resonates with him as he finds himself entangled in the franchise's creative web. In this regard, James may be seen as an avatar for his director - stubbornly optimistic despite overwhelming evidence against him.
The film is set to hit theaters on January 23rd, providing audiences another opportunity to test their endurance in what can only be described as a middling horror series.
The story takes place in the same haunted town where James (Jeremy Irvine), a hapless protagonist with an unhealthy fixation on Mary (Hannah Emily Anderson), finds himself inexplicably drawn into Silent Hill, despite obvious signs of impending doom. Despite the confusing chemistry between the leads, the two fall deeply in love and settle in Mary's bizarre hometown - although one can't help but wonder why Mary remained eager to leave if her past hinted at a troubled family.
James's all-consuming obsession with Mary is the central plot device that drives this film forward. While the parallel tracks of his past, where he grapples with Mary's strange "family," and present-day predicaments featuring ghostly apparitions offer some glimmer of purpose and mystery, the movie gradually devolves into an aimless wander through a visually distinct yet eerily vacant landscape.
Gans seems to have struggled with finding a cohesive narrative that leverages gameplay mechanics in meaningful ways. Instead, he settles for shallow nods to the original video game's atmospheric tension. While some scenes showcase striking visuals like hordes of grotesque creatures or eerie hallucinations featuring fractured-mirror reflections, these are ultimately undermined by an inconsistent world that fails to establish a baseline reality.
Perhaps Gans is drawn back to Silent Hill due to its dreamlike ambiguity, a quality that resonates with him as he finds himself entangled in the franchise's creative web. In this regard, James may be seen as an avatar for his director - stubbornly optimistic despite overwhelming evidence against him.
The film is set to hit theaters on January 23rd, providing audiences another opportunity to test their endurance in what can only be described as a middling horror series.