Benny Hill's Comedy Conundrum: A Mixed Bag of Laughter and Legacy
A new play about Benny Hill has finally shed light on why this beloved comedian is now largely forgotten by younger generations. Mark Carey's 100-minute production flashes back to Hill's life, exploring his most formative moments, including his relationships with family members like "the Captain", who peddled rubber johnnies, and the cafes he frequented in France. Georgie Taylor shines as various characters, including a narrator role that bookends the play.
However, it becomes clear that Carey's play doesn't delve particularly deeply into Hill's life. The show's reliance on online voices debating his legacy comes across as shallow. In its closing moments, the production seems to concede that Hill's comedy, which often objectified women and relied on racist stereotypes, is no longer funny or acceptable today.
The play does attempt to contextualize Hill's work within a broader history of comedic styles that have since fallen out of favor. However, it doesn't do enough to make a strong case for Hill's defense. Instead, the show defaults to platitudes about jokes being either funny or not funny, and how allegations of "PC gone mad" can be used to dismiss criticisms of Hill's material.
What the play does offer is a vivid reminder of what millions once found hilarious about Benny Hill's comedy. Mark Carey brings his own charisma to the role, capturing Hill's elusive nature behind his winking smile and quick quips. However, this endearing performance comes at the cost of exploring more substantial themes about Hill's legacy and how we can reconcile our past love of his comedy with the problematic elements that have made it so hurtful today.
A new play about Benny Hill has finally shed light on why this beloved comedian is now largely forgotten by younger generations. Mark Carey's 100-minute production flashes back to Hill's life, exploring his most formative moments, including his relationships with family members like "the Captain", who peddled rubber johnnies, and the cafes he frequented in France. Georgie Taylor shines as various characters, including a narrator role that bookends the play.
However, it becomes clear that Carey's play doesn't delve particularly deeply into Hill's life. The show's reliance on online voices debating his legacy comes across as shallow. In its closing moments, the production seems to concede that Hill's comedy, which often objectified women and relied on racist stereotypes, is no longer funny or acceptable today.
The play does attempt to contextualize Hill's work within a broader history of comedic styles that have since fallen out of favor. However, it doesn't do enough to make a strong case for Hill's defense. Instead, the show defaults to platitudes about jokes being either funny or not funny, and how allegations of "PC gone mad" can be used to dismiss criticisms of Hill's material.
What the play does offer is a vivid reminder of what millions once found hilarious about Benny Hill's comedy. Mark Carey brings his own charisma to the role, capturing Hill's elusive nature behind his winking smile and quick quips. However, this endearing performance comes at the cost of exploring more substantial themes about Hill's legacy and how we can reconcile our past love of his comedy with the problematic elements that have made it so hurtful today.