Yorke Dance Project's latest production is a masterclass in subtlety and power. The company's latest show has arrived at the Linbury Theatre just in time for the new year, bringing with it a rich tapestry of reimagined choreography.
The evening begins with Amy Thake's stunning solo performance of Deep Song by Martha Graham. This 1937 masterpiece is an intense six minutes that will leave you breathless. The sheer intensity and control displayed by Thake is nothing short of breathtaking as she unleashes the raw emotion that lies within this powerful work. With her sole thrusting forth with implacable strength, Thake brings to life the very essence of Graham's stripped-to-the-core style.
But Yorke Dance Project isn't one to rest on its laurels; instead, it has crafted a programme that includes not only revivals of 20th-century gems but also two new premieres. One of these is Troubadour, Christopher Bruce's first new work in over a decade. This time around, however, Bruce channels his energy into Leonard Cohen's atmospheric songs, imbuing the evening with an air of sophistication and poise.
Bruce's choreography is always inventive, never settling for the obvious as he weaves together intricate rhythmic variations that seem to dance within the frame of a 4/4 beat. His craft shines through in every step, every movement a testament to his skill. This latest piece from Bruce is a welcome addition to Yorke Dance Project's repertoire.
Another promising newcomer on the scene is choreographer Liam Francis. His creation for Cast|X| – which uses fragments of film dialogue as its soundtrack – shows great promise, albeit in an amorphous and slightly uncertain way. Yet this vulnerability feels undeniably compelling, hinting at deeper emotional truths that warrant further exploration.
Perhaps the standout piece from tonight's programme is Lacrymosa by Robert Cohan, a work that was inspired by Mary losing her son Jesus to his calling. Having danced with Martha Graham, Cohan brought an understated yet profound artistry to this choreography, which has now been lovingly reimagined for Yorke Dance Project.
With its delicate yet powerful strokes, Lacrymosa speaks volumes without ever having to say a word – and it's here that the true mastery of Cohan shines through. The way Jonathan Goddard and Eileih Muir bring this work to life is nothing short of breathtaking, imbuing every movement with an air of raw emotion that makes you feel deeply moved.
As we wrap up tonight's show, one thing becomes crystal clear: Yorke Dance Project has once again set a high bar for itself.
The evening begins with Amy Thake's stunning solo performance of Deep Song by Martha Graham. This 1937 masterpiece is an intense six minutes that will leave you breathless. The sheer intensity and control displayed by Thake is nothing short of breathtaking as she unleashes the raw emotion that lies within this powerful work. With her sole thrusting forth with implacable strength, Thake brings to life the very essence of Graham's stripped-to-the-core style.
But Yorke Dance Project isn't one to rest on its laurels; instead, it has crafted a programme that includes not only revivals of 20th-century gems but also two new premieres. One of these is Troubadour, Christopher Bruce's first new work in over a decade. This time around, however, Bruce channels his energy into Leonard Cohen's atmospheric songs, imbuing the evening with an air of sophistication and poise.
Bruce's choreography is always inventive, never settling for the obvious as he weaves together intricate rhythmic variations that seem to dance within the frame of a 4/4 beat. His craft shines through in every step, every movement a testament to his skill. This latest piece from Bruce is a welcome addition to Yorke Dance Project's repertoire.
Another promising newcomer on the scene is choreographer Liam Francis. His creation for Cast|X| – which uses fragments of film dialogue as its soundtrack – shows great promise, albeit in an amorphous and slightly uncertain way. Yet this vulnerability feels undeniably compelling, hinting at deeper emotional truths that warrant further exploration.
Perhaps the standout piece from tonight's programme is Lacrymosa by Robert Cohan, a work that was inspired by Mary losing her son Jesus to his calling. Having danced with Martha Graham, Cohan brought an understated yet profound artistry to this choreography, which has now been lovingly reimagined for Yorke Dance Project.
With its delicate yet powerful strokes, Lacrymosa speaks volumes without ever having to say a word – and it's here that the true mastery of Cohan shines through. The way Jonathan Goddard and Eileih Muir bring this work to life is nothing short of breathtaking, imbuing every movement with an air of raw emotion that makes you feel deeply moved.
As we wrap up tonight's show, one thing becomes crystal clear: Yorke Dance Project has once again set a high bar for itself.
yorke dance project really knows how to bring the HEAT with their latest production! amy thake's performance in deep song is INSANE, I mean I've seen some intense choreo in my time but this girl brings it like NO ONE'S BUSINESS!!! 
and then there's troubadour by christopher bruce - that guy's always been a genius when it comes to movement. his new piece is so sophisticated and polished it's like watching a work of art come to life on stage! 
the way they bring this work to life is nothing short of MAGICAL!!! 
just saw the most incredible dance performance at the Linbury Theatre 
and I'm still reeling from the experience! The Yorke Dance Project absolutely knocked it out of the park with their latest show, featuring not one but three stunning pieces that will leave you breathless. I was blown away by Amy Thake's solo performance of Deep Song - her intensity and control are truly awe-inspiring 
. And can we talk about Christopher Bruce's choreography for Troubadour? It's like he's woven a spell of sophistication and poise around the audience, drawing you in with every intricate step. I'm also super excited to see more from newcomer Liam Francis - his amorphous piece Cast|X| has me hooked! 
The way Robert Cohan's Lacrymosa comes together is just magic - it's like they're speaking directly to your soul 
. Overall, Yorke Dance Project is on a roll and I'm so here for it 
I mean, Amy Thake absolutely blew me away with her solo performance of Deep Song 
it's like she tapped into this raw emotion and just let go. And then we saw Troubadour by Christopher Bruce - what a sophisticated vibe he brought to Leonard Cohen's songs 
and Lacrymosa by Robert Cohan is just masterclass-level stuff - it's like they're speaking straight to your soul 
. But what really blew me away was Lacrymosa by Robert Cohan... it's like they bottled up all the emotions and put them into these beautiful, delicate movements 
. The whole evening felt like a masterclass in subtlety and power - Yorke Dance Project really knows how to put on a show 
!
but what really got me was how Lacrymosa just speaks to you on a deeper level - no need for fancy choreography when the emotions are real 
! And then there's Troubadour, Christopher Bruce's new work with Leonard Cohen's songs - it's like a whole different level of sophistication 
. But what really got me was Lacrymosa by Robert Cohan... I'm not even kidding when I say it gave me CHILLS 
. The way the dancers brought this raw emotion to life is just wow 
. But Lacrymosa by Robert Cohan? Forget about it, it's like he's speaking straight to your soul 
, and I loved how Yorke Dance Project didn't hold back with revivals and new premieres. Christopher Bruce's Troubadour was so sophisticated and elegant 
. But that Lacrymosa piece by Robert Cohan... WOW, just wow! The way Jonathan Goddard and Eileih Muir brought that emotion to life is giving me all the feels 
it felt like he didn't quite nail the emotional depth i think more editing would've helped bring it together a bit
this production by Yorke Dance Project is seriously giving me all the feels 
i loved how they brought together old and new works to create something truly special - the way Amy Thake nailed that Martha Graham solo was insane 
. Have you guys seen any of their productions yet?